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Philanthropy : Innovation + Job News

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Gift of $20M in rare manuscripts allows Penn to boost pages, pageviews, hire curator

University of Pennsylvania alum Larry Schoenberg has been collecting manuscripts for decades, and over the past twenty years has been sharing parts of his collection with scholars at his alma mater. This week, Penn Libraries announced the acquisition of 280 medieval and Renaissance manuscripts from Schoenberg, valued at $20 million, and part of the agreement is the creation of The Schoenberg Institute for Manuscript Studies.

Philadelphia is an international mecca for rare books, with world class collections at The Free Library of Philadelphia (the largest with over 2,000 manuscripts), The Library Company of Philadelphia, The Rosenbach Museum, and Bryn Mawr College. The Philadelphia Area Consortium of Special Collections Libraries lists 35 members.

Back at Penn, the goal with the Schoenberg Collection is to digitize the whole thing so that anyone in the world can access these historic documents without having to come to Philadelphia. Right now, the online collection is scattered among several sites, and with the exception of the recently launched Penn in Hand, many of the manuscript indexing pages are difficult to navigate.

"What we've done is made a commitment to the Schoenbergs to recatalog all the manuscripts according to the library standard," says Joe Zucca, Director for Planning and Communication for Penn Libraries.

The goal is to have all items scanned by 2012 to meld with Schoenberg's philosophy of combining rare and unique material with digital technology. Meanwhile, says David McKnight, the Director of the Rare Book & Manuscript Library, the 6th floor of Penn's Van Pelt is now undergoing an estimated $18 million renovation of the 6th floor, the Special Collections Center, to serve as home for the new institute, which will include classrooms and a digital media lab. McKnight is actively looking to hire a curator for The Schoenberg Institute, and is optimistic that the library can fill the position by the beginning of the new academic year. McKnight says that in addition to digital access, the Institute and its holdings will also be open to the public.

Source: Joe Zucca, David McKnight, Penn Libraries
Writer: Sue Spolan

CHOP Idol: Seacrest creates multimedia center at Children's Hospital

Ryan Seacrest! Is awesome! The media mogul has chosen Children's Hospital of Philadelphia to build The Voice, a state of the art multimedia studio. The Voice, a freestanding broadcast center funded by The Ryan Seacrest Foundation, is being built in the main lobby of CHOP, in the Colket Atrium. It will be accessible from the hospital's 34th street entrance and will serve CHOP patients and their visitors and families as a much-needed distraction.

Elana Brewer, CHOP's Director of Child Life, Education and Creative Arts Therapy, explains the setup: "Within the actual physical studio, there is a space designed for a DJ, as well as tabletop space for up to five patients, family members, siblings, celebrity visitors or guests to interact with the DJ."

Off mic, there will be additional seating for children who want to come to the studio but may be less inclined to jump on the mic. Two video cameras will capture the action in the studio, and the entire audio and video feed will be available throughout the internal TV system in the hospital buildings. Due to legal and privacy issues, Brewer says The Voice broadcasts will be strictly in-house, aimed exclusively at patients, families, friends and staff.

The Voice is designed so that passers by in the lobby can peer in through the curved glass partition, and its location in the atrium means that rooms and balconies overlooking the vast open space will have a direct line of sight into the broadcast center.

Brewer explains that tween, teen and young adult patients are the target audience for participation. It's a bit of a forgotten age, because younger children use playrooms, but there's not a lot to keep the older set happily occupied. "It's a great distraction," says Brewer. "The chance to use a state of the art studio will have a normalizing effect, and will give patients a sense of control often lost in the hospital environment." Brewer looks to The Voice as a creative outlet and a great opportunity for socialization, which is especially important for the adolescent population. Kids who are unable to leave their rooms will still be able to participate through on-air trivia quizzes and giveaways.
Seacrest selected CHOP as the second children's hospital in the country to be outfitted with The Voice. The flagship is at Children's Healthcare of Atlanta Pediatric Hospital. The Philadelphia location is scheduled to go live this summer.

Source: Elana Brewer, CHOP
Writer: Sue Spolan

FLYING BYTES: Philly Helps Japan, East Fairmoun Park

Flying Bytes is nuggets of innovation from across Greater Philadelphia:

BROTHERLY LOVE GOES GLOBAL

Following the earthquake and tsunami in Japan, there's been a swell of support from local companies and groups. Comcast is offering free calls to Japan for Xfinity Voice and Business Class Voice customers. Call Japan now until April 10, 2011 and get an automatic refund on your Comcast bill. The Southeastern Pennsylvania Chapter of the Red Cross is accepting both online and text message contributions for Japan relief efforts and reports that it has received generous donations from Westchester's QVC and Philadelphia Insurance. The Japan America Society of Greater Philadelphia has instituted a Disaster Relief Fund, and is also taking donations at the Subaru Cherry Blossom Festival.

THE GREEN GREEN GRASS OF HOME
Urban Blazers, a Philadelphia program that organizes outdoor activities for under-resourced youth, is co-sponsoring an East Fairmount Park Spring Clean-Up. The event, to be held Saturday, April 2 from 9 to 1, will start at Mander Playground, 33rd and Diamond, for a seasonal overhaul of nearby recreational spots, as well as the Woodford Mansion Orchard. It's part of the citywide Philly Spring Cleanup. Participating civic groups include the East Park Revitalization Alliance, Arthur Ashe Youth Tennis and Education, the Philadelphia Department of Parks and Recreation and the Strawberry Mansion Athletic Association. RSVP on Facebook or email [email protected].

COME ON BABY LIGHT MY FIRE

Speaking of blazing, on April 16, grab a flashlight and head over to the eternal flame at the Tomb of the Unknown Soldier at Washington Square Park for a warm spring evening of fun. Get Out Philly is hosting a game of Flashlight Tag beginning at 8. Put on your post-tax return attitude and casual clothes. Food and drink to follow at a nearby casual spot. Suggested donation is $1. You can RSVP on Facebook.

Source: Comcast, Japan America Society of Greater Philadelphia, Southeastern Pennsylvania Chapter of the Red Cross, Urban Blazers, Get Out Philly
Writer: Sue Spolan

UArts' Corzo Center awarding creative dollars to help spur creators' profits

A degree in fine arts doesn't often come with instructions on how to take economic control of your creations. The Corzo Center for the Creative Economy at the University of the Arts steps in with a rescue plan, applying the concept of enterprise funding to creative business ideas. With a grant from the Dorrance Hamilton Foundation, UArts professor Neil Kleinman developed The Creative Incubator, a $10,000 opportunity open to graduating students and recent alumni to "give students in arts and media economic control over their lives."

On a recent Wednesday, Kleinman and associate Todd Hestand welcomed a dozen hopefuls to an orientation in preparation for the March 21 proposal deadline. "Some of you are here only for the money," said Kleinman, "Some of you are interested in getting self-positioned, to learn more about how to put an idea out there, and make it continue." Kleinman plans to give two to three applicants with sustainable ideas $10,000 each, divided into three payouts: a third up front, another midway, and the final payment after the project is complete, with the idea that once the $10,000 runs out, profitability is well underway. Last year, says Kleinman, about eight smaller grants were given out, but only one reached the final payout. "Many fell prey to the very problems we were afraid of: no sustainable plan, and lack of awareness about underlying costs." This year, there will be fewer grants and more competition, with greater scrutiny of applicants' business plans, budget, marketing structure and audience.

One applicant is Michael O'Bryan, a 2007 graduate of UArts, who is attempting to create workshops for marginalized youth, combining artistic exploration with civic engagement. He says he got the idea while working two jobs: as a Youth Services Coordinator at The Salvation Army, and as Music Department Coordinator and Community Outreach liaison at the New Freedom Theater.

The Corzo Center offers applicants like O'Bryan, as well as all community members regardless of application status, full entrepreneurial support, including assistance developing proposals and business plans, workshops, special programs, and real world business contacts. Eventually, says Kleinman, the Center hopes to expand its funding to include creative entrepreneurs citywide.

Source: Neil Kleinman, Michael O'Bryan, University of the Arts
Writer: Sue Spolan

94 Philanthropy Articles | Page: | Show All
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