International Talent : Innovation + Job News

Many Philadelphians don’t know it, but our city has a rich legacy of cultural and economic ties with Japan dating back to the mid-1800s.

"There’s this long history of friendship, academic interchange and business interchange," says Kim Andrews, Executive Director of the new Japan America Society of Greater Philadelphia (JASGP), which this summer officially merged with the Friends of the Japanese House and Garden (FJHG).

The first Japanese envoys to visit Philadelphia arrived in 1860 and the plantings at the Shofuso Japanese House and Gardens in Fairmount Park near Parkside (our old On the Ground haunt) were installed in 1876. The depth of this history is interesting for an East Coast region with a relatively small Japanese and Japanese-American population (a 2010 survey of the five-county area reported about 3,000 people of Japanese heritage).

"It’s not very large, but it is a very deep and important cultural history," says Andrews.

When she became executive director at FJHG, the idea of joining forces with JASGP had "been bubbling in the atmosphere for a long time" -- the two nonprofits had a lot of overlap in their missions.

FJHG’s two main programmatic goals were interpreting, maintaining and preserving the Japanese house and garden; and creating arts and cultural programming. JASGP’s two-fold mission was building connections between businesses in Philadelphia and Japan, and hosting Japanese arts and cultural events.

The merged organizations' three-fold mission wasn’t hard to develop: to continue the Shofuso stewardship, to "enrich connections between the business and government sectors of Japan and Philadelphia," and "to offer educational public programs about Japanese art, business and culture."

In terms of staffing and budget, JASGP is now the second-largest Japan America society among 37 across the country (second only to New York).

Andrews notes that the original JASGP brought excellent national and international business and political connections to the table, as well as a strong relationship with the Japanese Consulate in New York. It also produced Philly's annual Cherry Blossom Festival, which drew about 14,000 people this year, and which, according to Andrews, is considered one of the U.S.'s most authentic Japanese-style festivals.

For their part, FJHG board members were "subject area experts" on Japanese culture, art and preservation.

"It’s been a really good mix," she says.

In the immediate future, there won’t be much evolution in programming as the two organizations get settled. (The merger was funded by Philly’s Nonprofit Repositioning Fund). The board will take a strategic planning retreat next month, and in 2017 embark on a new formal strategic plan with funding from the William Penn Foundation. New programming should roll out by 2018.

Besides the goal of furthering appreciation for the deep roots of Japanese heritage in Philly, the two nonprofits' merger is good news for the city in general. As Andrews explains, stakeholders no longer have to split donations, and the organization can streamline its budgets and operations on everything from payroll to newsletters while working towards the new joint mission.

Writer: Alaina Mabaso
Source: Kim Andrews, the Japan America Society of Greater Philadelphia

Follow all our work #OnTheGroundPhilly via twitter (@flyingkitemedia) and Instagram (@flyingkite_ontheground).

On the Ground is made possible by the Knight Foundation, an organization that supports transformational ideas, promotes quality journalism, advances media innovation, engages communities and fosters the arts. The foundation believes that democracy thrives when people and communities are informed and engaged. For more, visit knightfoundation.org.

After three years in its new headquarters at the foot of the Ben Franklin Bridge, the Philadelphia Fringe Festival -- presented by FringeArts -- is celebrating its 20th anniversary. The 15-day extravaganza, which will feature 178 shows all over the city (a handful curated by FringeArts and the rest mounted independently), is running September 9 through 24.

On July 19, FringeArts gathered media and presenters for a look at this year’s curated lineup of shows from homegrown and international artists. President and producing director Nick Stuccio, who assembles the slate along with FringeArts programming director Sarah Bishop-Stone, touched on some notable returning artists along with those new to the festival.

Fringe audiences of two years ago might remember the inaugural production of The Sincerity Project, an ambitious theatrical happening from Philly’s Team Sunshine Performance Corporation, with plans to span 24 years. Every two years, the same seven-person ensemble will converge for a performance mixing theater, music, ritual and dance "to reveal stories from the performers’ respective pasts, to display their bodies in the now, and to reveal their evolving desires and aspirations for the future."

Italian director Romeo Castellucci is also returning (after past festival hits The Four Seasons Restaurant and On the Concept of the Face, Regarding the Son of God) with Julius Caesar. Spared Parts. A man with no vocal cords performs Mark Anthony’s funeral oration while another holds forth with an endoscope displaying his vocal cords in real time.

Other notable artists include Stew & Heidi Rodewald, who are partnering with the The Wilma Theater to offer Notes of a Native Song, a "concert novel" homage to James Baldwin. Cesar Alvarez will mount his extraordinary musical The Elementary Spacetime Show (about a girl who has to play her way through a surreal game show to win her right to suicide) in partnership with University of the Arts. (The show premiered at UArts' inaugural Polyphone Festival in 2015.) Three-time FringeArts presenter Reggie Wilson’s Fist & Heel Performance Group will open the fest with Citizen, which Stuccio said is inspired in part by "famous African Americans who left this country to fulfill their identities."

This year’s "masthead show" is coming from director Brett Bailey, a white South African whose controversial work probes post-colonial Africa. Bailey’s Third World Bunfight will present a condensed 100-minute version of Verdi’s Macbeth in partnership with Opera Philadelphia, reimagining Shakespeare’s tragic figure as a dictator in the Democratic Republic of Congo. (It comes with a host of associated discussions and events.)

Find the full lineup of curated shows online.

As for the rest of the fest, audiences can find 11 types of shows in the categories of music, dance, comedy, film, theater, spoken word, interdisciplinary, happenings, visual art and circus. 2016's iteration will branch out into West Philadelphia, and there will also be lots of work in Fishtown/Kensington, the Northwest, Northern Liberties, Old City, South Philly and more, including the second year of the Digital Fringe, with work presented exclusively online.

Audiences can sit in graveyards, forage on a farm, drink, laugh, interact, share stories and more. Shows will take place in venues including a yoga studio, a gay nightclub, Elfreth’s Alley, museums and parks. The full lineup will be available in print and online August 5.

Markman especially appreciates "artists who use our platform to find their own unique audience."

And for local beer lovers, FringeArts announced one more new partnership: "Fringe Benefit," a limited-edition pale ale from Kensington’s Saint Benjamin Brewing Company.

Writer: Alaina Mabaso
Sources: Nick Stuccio and Jarrod Markman, FringeArts

The ACANA Festival started small, but after eight years, it’s exploded into an event that draws thousands to Penn's Landing. Attendees come to explore the modern and traditional music, foods, crafts, and cultures of the African diaspora.

The African Cultural Alliance of North America (ACANA) is our current On the Ground home in Southwest Philadelphia (check out this recent profile of the broad-based African and Afro-Caribbean social services organization). August 7 will mark the ninth year that ACANA has hosted the event as part of the PECO Multicultural Festival Series, which brings eight free festivals to the waterfront between June and September.

ACANA originally made the series roster nine years ago with the help of a recommendation from the Kimmel Center. The nonprofit's founder and executive director Voffee Jabateh served on the community advisory board.

In 2015, the ACANA Festival drew an estimated 10 to 12 thousand people to the Great Plaza at Penn’s Landing in a single day. This year, with headlining singer Pape Diouf -- a Senegalese star -- those numbers will only grow. Other performers at this year’s festival include Sharon Katz and the Peace Train South Africa, Chilton James Reggae Band, Deng, and the Universal African Dance & Drum Ensemble.

Jabateh says the festival is gaining international traction and becoming a destination for African artists who want to connect with the vibrant African diaspora in the United States.

"[Diouf] is top of the charts in Africa," says Jabateh, but "many in the [American] community cannot afford the cost" of traveling to see him. So the ACANA Festival is bringing him here, free of charge to fans.

"Most of the artists in the ACANA Festival for the last five years have come from outside the United States," he adds. They’re "doing very well in their career back in Africa, and the diaspora group wants to see those artists here in America."

ACANA makes it happen.

The fest will also feature a huge range of African food, arts and crafts, and activities for kids.

The ninth annual ACANA Festival is coming to Penn’s Landing on Sunday, August 7 from 2 - 8 p.m. The event is free and open to the public.

Writer: Alaina Mabaso
Source: Voffee Jabateh, ACANA
Follow all our work #OnTheGroundPhilly via twitter (@flyingkitemedia) and Instagram (@flyingkite_ontheground).

On the Ground is made possible by the Knight Foundation, an organization that supports transformational ideas, promotes quality journalism, advances media innovation, engages communities and fosters the arts. The foundation believes that democracy thrives when people and communities are informed and engaged. For more, visit knightfoundation.org.

Flying Kite has been searching for an #OnTheGround home in Kingsessing, and we’re happy to announce that we've landed at the nonprofit African Cultural Alliance of North America (ACANA) near 55th Street and Chester Avenue.

Founded in 1999 by a group of African immigrants, ACANA worked to support African and Caribbean artists and musicians in their efforts to integrate into the U.S., while preserving their community and cultural values.

Over the last 15 years, that mission has expanded as the organization's target population of immigrants, refugees and asylum-seekers grew, particularly in ACANA’s Southwest Philadelphia neighborhood. The nonprofit began offering a wide range of social services, including ESL (English as a second language) and literacy classes, youth and after-school programs, a food bank, healthcare-related services, and more.

ACANA Wellness Coalition Coordinator Marjorie Anderson says people often don’t realize the breadth of ACANA’s programs or the fact that they’re available to everyone.

"[ACANA] is open to serving the entire Southwest Philadelphia community, and African and Caribbean people no matter where they were born," explains Anderson. "I think that’s something folks don’t know. It’s a resource that’s for the entire community."

For those who want to get to know ACANA better, the organization's youth activities arm is hosting a day-long youth arts showcase on July 9 out of its Chester Avenue space. The event will feature food, art and talks from the kids about what they learned in the programs. And on Sunday, August 7 from 2 - 8 p.m., the ACANA African Festival will take over Penn’s Landing.

Anderson is excited about partnering with On the Ground because of the opportunity to expand ACANA’s relevance to the entire neighborhood.

"I think a lot of organizations are familiar with ACANA [and executive director Voffee Jabateh]," she continues, but she hopes the residency will help "organizations as well as individuals in the community know that there’s a social service resource for the entire community."

Come say hello during our On the Ground hours at ACANA: 10 a.m. - 6 p.m. Tuesdays and Thursdays through August.

Writer: Alaina Mabaso
Source: Marjorie Anderson, African Cultural Alliance of North America

Follow all our work #OnTheGroundPhilly via twitter (@flyingkitemedia) and Instagram (@flyingkite_ontheground).

On the Ground is made possible by the Knight Foundation, an organization that supports transformational ideas, promotes quality journalism, advances media innovation, engages communities and fosters the arts. The foundation believes that democracy thrives when people and communities are informed and engaged. For more, visit knightfoundation.org.

As high school seniors in their hometown of Vancouver, Miranda Wang and Jeanny Yao had some big questions -- and answers -- for a planet that produces enough plastic every year to circle itself in Saran wrap four times over.

Yao recently graduated from the University of Toronto and Wang is finishing her senior year at the University of Pennsylvania, majoring in Biology. Together they founded BioCellection. Now their team (which also includes Alexander Simafranca, Eric Friedman and Daniel Chapman) is the first undergraduate team ever to take the $30,000 grand prize at Wharton’s annual Business Plan Competition. And that's only the beginning: They also took home the Wharton Social Impact Prize, the Gloekner Undergraduate Award, the Michelson People’s Choice Award and the Committee Award for Most "Wow Factor." No other single team has ever taken five prizes in the competition.

Wang and Yao began studying riverside soil samples back in high school. They wanted to find out what the ecosystem itself might be doing to survive pollution from plastics. Traditional plastic products are made from fossil fuels, which come from carbon. Humans run on carbon, too -- our source is glucose.

"Could there be bacteria that have evolved with plastic chemicals as their carbon source?" Wang recalls wondering. "The answer is yes…Nature is very much evolving to recover itself. There is a solution in this biology, it just needs to be tapped into. Potentially this could be a large-scale commercial technology used to clean our drinking water."

Wang and Yao focused on how bacteria could be harnessed to break down potentially carcinogenic components of some plastics (like phthalates) that aren’t otherwise biodegradable. Their work won them the 2012 National Commercialization Award at Canada’s Sanofi BioGENEius Challenge and led to a popular 2013 TED talk.

In the labs at Penn, that work grew into BioCellection.

"Instead of tackling derivatives or additives in plastic, we’re [now] tackling the polymer of the plastic itself," explains Wang. "What if we can take this really big problem of the polymer, and try to solve it on a modular basis?"

BioCellection developed a way to engineer bacteria that produce an enzyme which, when combined with problem plastics in a proprietary portable chemical process, can convert that plastic into water and carbon dioxide. This patent-pending technology is still about two years away from the field, but its future application in plastic remediation at landfills, industrial sites, oceans and beaches could be tremendous, with annual revenue projected to reach $100 million by 2020.

A little further down the road in their business model, BioCellection hopes to launch a centralized processing plant that will use this enzyme to convert discarded plastics into a bio-surfactant necessary for textile manufacturing. With the help of collaborator Parley for the Oceans -- which is helping BioCellection connect to brands like Adidas that want to incorporate recycled plastic into their products -- the company hopes to sell this "upcycled" surfactant at $300/kg. It’s an estimated $42 billion market.

The issue of used plastics is a global problem: Because current recycling methods don’t generate enough revenue, over 90 percent of our cast-off plastics (even those going for recycling) end up in landfills, or incinerated, which compounds pollution. 

According to the company, "We can’t expect to change consumer habits overnight or integrate new materials immediately. It’s time to tackle the plastic pollution that currently exists, and that we’re continuing to produce, to save marine wildlife, keep the planet’s food chain intact, and protect human health."

Besides the $54,000 in total prize money from Wharton, BioCellection has earned $90,000 in grants and $240,000 in investment. The company is relocating to the San Jose BioCube in June 2016 for further development.

Writer: Alaina Mabaso
Source: Miranda Wang, BioCellection 

April 8 through 23, the Kimmel Center is mounting its third Philadelphia International Festival of the Arts (PIFA). This year’s event includes everything from theatrical performances to lectures to a fiery art installation on the waterfront to concerts played from inside city fountains. The whole thing will culminate in the PIFA Street Fair on Broad Street, beginning at 11 a.m. on April 23, an all-day family-friendly affair packed with fantastic sights, food, vendors, rides and performances.

According to artistic director Jay Wahl, there are fewer projects this year, but they’re "bolder" than in the past.
 
"We’ve spent more energy on fewer projects to make them better and richer," he explains.
 
This year’s festival features over 60 events in 16 days across the city. The theme is "We Are What We Make"; as the website puts it, exploring "how our humanity is shaped, changed, inspired, and challenged by the world we create." 2015 MacArthur Genius Award winner Mimi Lien will put up a "massive" installation in the Kimmel Center's lobby.
 
"I was starting to notice that across the city, there was a real interest in where we make things, how we make them, who makes them," says Wahl of the PIFA theme. For example, our contemporary food culture: Diners aren’t only interested in where the restaurant is, but who the farmer was and how the food got there.
 
And this extends to many facets of modern Philly life, including our burgeoning urban and waterfront parks (an "interest in the way that urban and natural environments come together and the materials of those things"). In the 19th century, Philadelphia was known as "the workshop of the world," and from a historical perspective, "this is where the nation was made," explains Wahl. "We did that politically, we do that socially, now we’re doing that behaviorally and mentally, and I was thinking, what does that mean?"
 
When it comes to the street fair on April 23, Wahl suggests arriving early -- one-of-a-kind performances will pop up in the crowd all day. There’ll be patches of grass in the middle of Broad Street, a 25-foot waterfall, a zip-line, a Ferris wheel, a Zeppelin blimp in the air and carnival swings below City Hall.
 
"I think we can say all we want [about] the arts transform[ing] the city…but until your body is doing something quite literally different, I don’t think you can feel it," he adds. "The moment you sit with your kids in the grass in the middle of the street is the moment you think about Broad Street differently forever."
 
And PIFA is part of a larger narrative about Philly as a destination -- a city touted by The New York Times and Lonely Planet as a top place to visit, and designated a UNESCO World Heritage City.  
 
"None of that happens without the arts and culture here," says Wahl. "That’s the reason you want to go someplace…PIFA is part of that tapestry of what makes the city vibrant."
 
To browse the full line-up of events, visit PIFA’s online calendar.
 
Writer: Alaina Mabaso
Source: Jay Wahl, Philadelphia International Festival of the Arts

The African Family Health Organization (AFaHO), a member of the latest cohort of 40 Barra Foundation Awards winners, got its start in 2005 when founder Tiguida Kaba, a Senegal native, lost a friend -- she bled to death in her own apartment because she was uninsured and undocumented, and afraid to go to a hospital.

It was an extremely traumatic incident for Kaba.

"She felt the need to create something [so] that people would know that no matter your circumstance, you can get care, you can get help," explains AFaHO Executive Director Oni Richards-Waritay.

Richards-Waritay, who came to the U.S. from Liberia, has been on the nonprofit’s staff for about five years after starting as a volunteer. AFaHO’s multi-faceted mission of connecting African and Caribbean immigrants to a range of important healthcare services means a lot to her.

"Being an immigrant myself and knowing the experiences that people went through, I was called to help her in any way possible," she recalls.

Through partnerships with local community health centers that accept any patient who is a resident of Philadelphia, AFaHO case managers and community health advocates facilitate services -- everything from language interpretation at the doctor, to nutrition and wellness counseling, to medical care for children and pregnant women.

AFaHO incorporated in 2005, but didn’t gather the funding or traction to be fully operational until 2009. Originally, the organization operated out of offices at Broad and Spruce, but to better serve their clients, they decided to relocate to West Philadelphia (4415 Chestnut Street).

"I have a soft spot for children," says Richards-Waritay of the work that speaks to her the most. When it comes to persistent health issues, it can be hard for adults to make changes, but with children, "you’re able to mold them to think differently, to act differently, particularly about their health, and I see them as agents of change in their own homes."

AFaHO’s work with children can be particularly important in the emotional health realm.

"[We] help them navigate trying to maintain their African culture but also assimilate into American culture," she explains. "What [does] that mean as they’re trying to straddle these two different worlds and the impact that has on family dynamics?"

She’s thrilled about the opportunities the Barra dollars -- $25,000 per year for two years, with no stipulations about programming -- will offer AFaHO.

"I don’t even know how to explain the importance of this grant, because most of the funding that we get is tied directly to program work," she explains.

The Barra Awards offer general operating support, a rare boon in the nonprofit world. It could help pay for staff’s administrative time, cover a much-needed audit, support additional staff training, or enable an outside evaluation to identify best practices and areas where services could be improved.

"General operating money is really hard to come by," adds Richards-Waritay. Instead of zeroing in on a single program, the grant will let AFaHO grow as an organization. "On so many different levels, in terms of building our capacity, this grant is critical."

Writer: Alaina Mabaso
Source: Oni Richards-Waritay, the African Family Health Organization
 

On February 4, Mayor Jim Kenney joined Mt. Airy USA Executive Director Brad Copeland and others for the official launch of the Philadelphia Immigrant Innovation Hub at 6700 Germantown Avenue.

In his remarks to the diverse crowd of immigrant entrepreneurs, funders and other supporters, Kenney called the room "a beautiful sight."

"This is what Philadelphia looks like," he said. "And this is what the country should look like."

Copeland added that a support and co-working hub for Philly's immigrant entrepreneurs was "very Mt. Airy" -- the neighborhood is already extremely diverse and civically engaged. He praised Hub members’ commitment, drive, energy, vision and "willingness to take risks."

The Hub was made possible by a 2015 Knight Foundation Cities Challenge grant. Speakers credited former Mt. Airy USA leader Anuj Gupta for the inspiration to pursue these dollars for the project. Out of 5,000 applications last year, there were 32 winners -- seven of those from Philadelphia, the most winners from any city in the country.

"[Knight] allows organizations like ours to dream crazy dreams and then challenges us to make them a reality," enthused Copeland.

Sarajane Blair and Jamie Shanker of Mt. Airy USA outlined the new space's offerings, which are made possible with additional financial support and guidance from the nonprofit community lender FINANTA. Services will include "core workshops" (offered through a partnership with the Welcoming Center for New Pennyslvanians), individual business and financial plan development, credit building tools, and community support and engagement helmed by Mt. Airy USA. Hub members will also have access to a co-working space on Germantown Avenue, five financial lending cycles a year, and dedicated networking programs.

"We will do everything we can to help you succeed," said Blair to program participants.

Those eligible for the program must be immigrants to the U.S. who want to be self-employed and have a business idea or plan, but need assistance in starting or growing their business. Applicants can head to piihub.org to get started.

Writer: Alaina Mabaso
Sources: Philadelphia Immigrant Innovation Hub launch speakers
 

When Flying Kite last looked in on Kiva City Philadelphia, the crowdfunding platform had disbursed $200,000 to 50 local independent businesses. Now as the initiative celebrates its first anniversary, that has jumped to 71 loans totaling $318,000 – and manager Alyssa Thomas (who works out of the City’s Department of Commerce) estimates the program will approve up to seven more campaigns by the end of the year.

Kiva is a micro-loan service that caters specifically to aspiring entrepreneurs who lack access to traditional banking and fundraising avenues. Many of them have low incomes or are new arrivals to the United States. The Kiva system utilizes trustees -- such as local community development corporations (CDC) or neighborhood stakeholders -- to discover and sponsor recipients. Crowdfunding campaigns are then run through the Kiva site for $500 to $5,000.

This fall, Thomas has been taking a lot of “corridor walks,” touring commercial stretches throughout the city alongside CDC corridor managers.

"We talk to the businesses that we already know are in need of financing and would be good fits for Kiva," she explains.

A current campaign that stands out for Thomas is Cambodia native Chany's new venture Angela’s Boutique at 454 Wyoming Avenue (between Olney and North Philadelphia).

Chany and her nine siblings pulled together to support the family very early in life. Her father died when she was 12 and her mother, who was disabled, couldn’t support them on her own. The kids worked before and after school at a corner store they launched themselves.

After Chany married a U.S. resident and arrived here at 21, she and her husband had almost nothing. He worked in a factory; she used her sewing skills and took ESL classes. She also operated a Chinese food stand for a few years, but in 2008 decided to purchase the dry cleaner’s on Wyoming, which she and her husband now operate in addition to working four other jobs between them. Six months ago, with the help of the nonprofit Esperanza (one of Kiva’s new collaborators), Chany decided to pursue a longtime dream: opening her own custom formalwear boutique named after her daughter Angela. A campaign now live on Kiva’s site aims to raise a loan of $5,000 toward new signage, lighting and security for her storefront. 

On December 4, an anniversary party at the Center for Architecture honored the New Kensington CDC as Kiva City Philadelphia’s most valuable trustee of 2015 -- they sponsored the highest number of loan recipients, with a repayment rate of 100 percent.

According to Thomas, one continuing struggle is connecting an online micro-finance platform to entrepreneurs who may not have digital fluency or access to the Internet, an issue many low-income Philadelphians face.

"We’ve definitely seen the toll of businesses not being connected to the Internet," she says. Those that aren’t on Yelp or Google Maps suffer. "You don’t know they exist and it really stunts their growth."

Philly’s Kiva pays special attention to the trustees’ role of shepherding loan recipients through the online application and repayment process.

"It’s difficult, but we’ve learned now to work through it so it’s no longer a hurdle," adds Thomas. And ultimately, helping these business owners take their first steps online will benefit them in the long run. "[This] will inspire them to want to figure out how they can utilize those resources to grow their businesses.”

Writer: Alaina Mabaso
Source: Alyssa Thomas, Kiva City Philadelphia

While the Greater Philadelphia Cultural Alliance was fighting to maintain the city's Cultural Fund budget -- which faced steep cuts for the next fiscal year -- Philly was on track to become the United States’ first World Heritage City. The designation, announced last week after a vote from the World Congress of the Organization of World Heritage Cities (OWHC) in Arequipa, Peru, went up like a firework in local news feeds.

Philly is the 267th World Heritage City, having logged one major qualification back in 1979, when Independence Hall became a World Heritage Site.

"Philadelphia is the largest and most complete fulfillment of the kind of model city envisioned by Enlightenment architects," OWHC notes on our city’s new page.

It’s an exciting first for a city already spreading its wings on the national and global stage, hosting Pope Francis in September and the Democratic National Convention in summer 2016.

Cultural Alliance president Maud Lyon is excited about the possibilities of Philly’s new distinction, but notes that our identity as a city with strong ties to the rest of the world is not a new one.

"It’s really important for us to focus on being a global city," she argues. "We have been from the very beginning, and I think it’s important for us to have that perspective. 

"I think culture is always the first ambassador that goes out for a city,” she continues, noting the success of a world tour for the Philadelphia Orchestra in the past year. "Those concert halls were packed everywhere the Orchestra went."

It’s a good time to be getting our world-class cultural offerings out there because according to a Global Philadelphia study cited in the Inquirer, the city could be looking at a significant tourism boost: a one to two percent increase in domestic visitors (generating an economic impact of up to $200 million), and a rise in foreign visitors that could reach 15 percent, or the addition of up to 100,000 tourists annually.

Lyon is excited by the possibilities of more visitors from overseas, particularly a growing population of middle class travelers from throughout Asia, especially China and India.

"I think that we will in the next ten years be seeing more people coming from that part of the world who want to tour Philadelphia, and we absolutely want to be a destination for them," she adds.

The next ten years will be important ones for America, too, as the 250th anniversary of the country's independence approaches.

Culture is "the most approachable and welcoming and inclusive way of being an ambassador [for a] city," says Lyon, and the influx of international visitors -- and hopefully more collaborations between foreign artists and Philly institutions -- will be "the kind of cross-fertilization that you need between cultures.”

From Philly’s history as the United States’ birthplace to our musical tradition to our scientific and educational institutions, our city has plenty to offer. In considering the World Heritage designation, Lyon says we need to take pride not only in the international visitors we attract, but in the longtime diversity of our home. It’s not just about honoring the framers of the Constitution.

"Certainly the diversity of ethnic heritage that’s part of this city and this region is very rich and very important to who we are," she explains. "It’s important for us to remember that and to really own being a global city."

Writer: Alaina Mabaso
Source: Maud Lyon, the Cultural Alliance of Greater Philadelphia

Last winter, Philly chef Lou Boquila helped bring the city its first taste of a cuisine that’s hard to find in these parts: Filipino food. With help from partners Neal Santos, Jillian Encarnacion and Resa Mueller, Pelago Pop-Up Kusina temporarily took over Passyunk Square resto Noord. The event (and subsequent pop-ups) sold out, and now Boquila is launching his own restaurant in South Philly.

Perla, currently under construction at 1535 South 11th Street, will be the city's only Filipino restaurant. Boquila, a Philippines native who came to Philly when he was eight, says he’s not a traditional Filipino chef.

"But I know the food," he insists. "I know the flavors, [and] I relate that to a restaurant kitchen."

Balking a bit at overuse of the word "fusion," the fledgling restaurateur nonetheless describes Filipino dishes as a mix of influences. They blend Chinese, Malaysian, Indonesian and Spanish flavors, and are served in family-style communal meals that are hard to replicate in a restaurant setting.

Boquila, who’s been cooking for about ten years, got his start in the local food industry as a dishwasher at South Street’s now-defunt Knave of Hearts. He worked his way up, becoming a line cook and then helping run the kitchen, before deciding to attend culinary school. After finishing, he interned at Twenty Manning Grill, where he later became sous chef, and then moved to Rittenhouse Square’s Audrey Claire, where he’s been since 2007.

"Perla will be interpretations of popular Filipino dishes," he explains; he's aiming for "an approachable palate everyone can try."

For example, there's his version of kare-kare, a Filipino stew he makes with oxtail and tripe, along with peanut butter and shrimp paste. He assures diners not to be scared off by the unusual-sounding flavor combo of this "very different, very very funky dish," because it all blends together well with the under-appreciated savory quality of peanuts.

Perla will have a small start for its small space, focusing mainly on a tasting menu that will keep the chef in a hands-on role. But in a nod to traditional Filipino dining, the restaurant will offer special Sunday brunches -- according to Boquila, "breakfast is very big in the Filipino community" -- as well as a Sunday night homage to home-style Filipino dining with kamayan meals, large communal dinners eaten by hand off of a banana leaf.

Boquila hopes to open Perla by March of 2016.

Writer: Alaina Mabaso
Source: Lou Boquila, Perla

When we think of the human element in medicine, we might think of the doctor who interacts with the patient in need of treatment. But thanks to a burgeoning revolution in the biopharmaceutical industry, there are thousands of other face-to-face meetings that need to happen long before any drug even reaches a trial, let alone the market.

In the biotech industry, these connections are called "partnering," and it’s a vital piece of the Biotechnology Industry Organization's (BIO) 2015 BIO International Convention, coming to the Pennsylvania Convention Center June 15-18. The Washington, D.C.-based BIO is the world’s largest trade association for biotech companies, academic institutions and government science centers, and organizers say the convention will draw about 15,000 people from 30 countries (about one third of attendees will come from outside the U.S.).

"The 2015 BIO International Convention is where the global biotech community meets," explains BIO Director of Partnering Sougato Das.

Das calls Partnering "biotech-pharma speed-dating," and this year, it’s happening thanks to BIO’s new propriety software system, One-on-One Partnering, developed by BIO and INOVA.

The BIO convention will be packed with CEOs and other executives from biotech companies all over the world, working to advance everything from medicine and human health to industrial, environmental and agricultural technology, as well as biomanufacturing, genomics, nanotechnology and more. Picture an area the size of a football field, outfitted with hundreds of cubicles for face-to-face meetings. 

That's where the One-on-One platform comes in. Companies or institutions that want to pitch their promising biotech advances can use the software to connect with companies looking to invest in and/or develop and market their innovations. The system allows participants to enter their companies' details, their individual conference schedules, and invitations to the people they need to meet. The software automates the rest, generating a schedule for everyone that maximizes the crucial face-to-face time that powers the modern industry.

During the June conference, organizers estimate that over 29,000 meetings will take place among the 6,000 or so attendees who will participate on the Partnering platform. That means over 1,100 different meetings per hour at the conference’s peak times.  

Why are these meetings important? According to Das, to understand that you have to understand how the biotech and biopharmaceutical industries have changed since the 1950s and 60s. Back then, the massive companies of today like Merck and Pfizer were getting started, employing tens of thousands of in-house scientists and researchers who developed relatively simple drugs with mass-market applications.

Today, what Das dubs the "low-hanging fruit" of new drug development is gone and researchers are working on more complicated molecules, compounds and drugs for more targeted consumer audiences. Instead of discovering and developing new drugs or other biotech innovations in-house, throngs of scientists, researchers, academics, investors and businesses participate in a much broader-based search for the next big breakthrough. But that takes meetings -- lots of meetings.

"There’s more variety out there," says Das. "All they have to do is meet with these people who have these new biotechnology innovations out there and say, show me what you got -- let’s see if it’s a fit for my company."

Writer: Alaina Mabaso
Source: Sougato Das, Biotechnology Industry Organization

Being chosen to present at this year's Wharton Business Plan Competition Venture Finals was a surprise to at least one of the eight teams participating in the April 30 event: The founders of ThirdEye are not even Wharton students (yet) -- they’re freshmen at the University of Pennsylvania. But their technology, an app joined with a wearable Google Glass-type device, has major potential for helping those with visual impairments live more independent lives.
 
ThirdEye co-founder and Chief Executive Officer Rajat Bhageria (author of What High School Didn’t Teach Me) isn’t wasting any time in the quest to build world-changing technology. He teamed up with Ben Sandler (ThirdEye founding head engineer and a computer and cognitive science major), Philippines native David Ongchoco (founding head marketer and media maven), and founding engineer Joe Cappadona (an "athlete, musician, and computer programmer") to develop the technology and business plan almost as soon as they arrived at Penn.
 
"I want to leave a dent in the universe by creating things that people want," explains Bhageria, a Cincinnati native and computer science engineering major. "We believe in empowering visually impaired individuals."

There are a lot of people who could use their technology -- there are about 300 million visually impaired people in the world; they generate over $41 billion in spending on assistive technologies annually.
 
The ThirdEye glasses and app work by verbally identifying common objects for wearers who can pick them up, but can’t see them. For example, its camera and voice can tell blind people what denomination of money they’re handed or what kind of pill bottle or household item they’re holding. (Check out the ThirdEye website for a video demo.)

Other uses include identifying street signs and even being able to read books, menus and newspapers. Bhageria says future updates could incorporate facial recognition software, language translation for travelers, and recognition of individual medications and foods.

They’re already partnering with the National Federation of the Blind to bring the product to market.

Though the young men aren’t enrolled in grad school yet, "we have been leveraging every opportunity at Wharton we can get our hands on," enthuses Bhageria. The team talks to professors weekly, joined Wharton’s Venture Initiation Program startup incubator, participates in Wharton events and competitions, and takes Wharton classes.
 
All that learning and networking -- and the intense time put into current competition -- is already paying off. The company began building their product last September and are already in beta testing with visually impaired individuals. They’re heading for a clinical study this summer with up to 20 participants, with a national beta launch in view for later in the year.
 
As for the April 30 pitch-fest itself, initially the team "had no expectation of doing well considering that most of the participants -- MBA students -- have years of industry experience over us," says Bhageria, but their confidence has been growing.
 
"Now we’re not just in it for the experience," he insists. "We’re in it to win it."

There’s $128,500 in cash and in-kind awards at stake, including the $30,000 Perlman Grand Prize. That would be a great boost to the team as they head into clinical trials, and "could be fundamental in opening doors for insurance to cover our product."
 
The Wharton Business Plan Competition Venture Finals featuring 20-minute presentations from the "Great Eight" finalists is happening 1 - 6 p.m. Thursday, April 30 at the Wharton School.
 
Writer: Alaina Mabaso
Source: Rajat Bhageria, Third Eye

Winnipeg native and Montreal resident Kandis Friesen loved the two months she spent in Philly this year as part of Lancaster Avenue's Neighborhood Time Exchange (NTE) residency, which offers studio space and a stipend for hours of service the artists contribute to community-based projects.

The intitative, continuing with multiple artist cycles until the fall, is a partnership of the Mural Arts Program, the Ontario-based Broken City Lab and the People's Emergency Center.

An interdisciplinary artist who works with media including sound and video, Friesen, in her mid-30s, has been working as an artist only for the last five years or so.

"Before that, I was doing social justice-based and community-based work," she explains. "I’ve always seen it as part of my life, whether I’m making art or working a different job."

During her NTE stint (which ran from February 1 through April 1), she offered some of those project-manager skills to her peers: negotiating time, projects and space. In a program connecting residency artists to community service requests, that meant "working with really diverse groups of people who might have really different ideas, or similar ideas but…really different personalities," she explains.

Her own contribution to the neighborhood had many facets. She worked with the New Africa Center on a walking tour of Black History in West Philly, focusing on the saga of the self-identified Black Bottom Tribe, a thriving 19th-century African-American community living where University City stands today. The Tribe suffered forcible evictions under city development plans and university expansions in the early 1900s, alongside redlining laws that made it nearly impossible for African Americans to obtain mortgages.

This especially touched on Friesen’s interest in archives and memorials -- and how they’re made and maintained.

She also did a lot of work for the Artistic and Cultural Enrichment (ACE) Program at Martha Washington Elementary School.
ACE instructor Hope McDowell had written a script called More Than Martin, and enlisted Friesen to help her shoot and edit it. In the film, now available online, Martin Luther King, Jr. comes back to say, as Friesen explains, "I’ve been carrying Black History for myself for too long…I would like to introduce you to all these other people in African-American history, and you also might make history."

"It’s a great film, in line with my own practice as well," enthuses the artist. "People being able to tell their own histories."

She also led a variety of arts workshops for Martha Washington students, and collaborated with her fellow NTE artists on other projects, including time with the Earthship Philadelphia project and the New Bethlehem Baptist Church.

"We all helped each other in different ways, and that was also really nice to have a collaborative environment for our community work," she adds. "I think the strength of this residency was that it really was an infrastructure created." The artist residents didn’t operate on any assumptions about what they were bringing to the neighborhood: instead, they listened to hear what needed to be done, to "reinforce or connect what is already happening."

Writer: Alaina Mabaso
Source: Kandis Friesen, Neighborhood Time Exchange
 

The Women in Natural Sciences (WINS) program at Drexel’s Academy of Natural Sciences has been going strong for 32 years, and now a special grant from the U.S. Department of State’s Museums Connect program is allowing a team of 15 Philly public high school girls to collaborate with 15 girls from Mongolia on a globe-spanning project.

For the last several months, the teens have been using online courses, Facebook and Skype to study climate change and its cultural impact. Then last week, four girls from the Mongolian side of the project, administered through the National Museum of Mongolia’s ROOTS program, had a whirlwind visit to Philadelphia. This July, five public high school girls from Philadelphia will reciprocate with their own two-week trip to Ulaanbaatar, the capital of Mongolia.

The climate change focus of the youth program is three-pronged, explains WINS manager Betsy Payne: "One is water, one is food, one is the cultural repercussions."

Currently, there are 60 girls in the WINS program citywide, but the Museums Connect dollars (administered by the American Alliance of Museums) allowed for just fifteen Mongolian girls and fifteen Philly girls. WINS sophomores and juniors were invited to apply for the program, and were selected based on a range of criteria.

"Even though it’s a one-year program, we’re hoping it has repercussions where they might be able to do more in the near future," says Payne of the age group she decided to target and applicants' dedication to the program’s offerings. The Academy was also "looking for the girls who hadn’t had other opportunities of major travel." 

The lucky travelers are George Washington Carver High School of Engineering and Science sophomore Faatimat Sylla; junior Geré Johnson from the Mathematics, Civics and Sciences Charter School of Philadelphia; Harleen Gonzalez, a sophomore at Central High School; Academy at Palumbo sophomore Linda Gutierrez, and Philadelphia High School for Girls junior Ti’anna Cooper.

The project’s capstone, for both teams of girls, will be a final display based on what they’ve learned in their year of cross-continental collaboration. The form it will take will be up to the students, as long as it deals with climate change and cultural exchange: a short play, a museum activity, a presentation of specimens or something else the young women devise.  

The Mongolian students' U.S. trip was packed with classroom visits and science as well as some historic sight-seeing in Old City, cheesesteaks on South Street, a Lancaster farm visit, a tour of Washington, D.C. that included the Smithsonian Natural History Museum, and even some good old-fashioned retail therapy at the King of Prussia Mall.

By early fall, the two intercontinental teams will develop lessons and presentations about climate change that will be incorporated into the public programming at the Academy of Natural Sciences and the National Museum of Mongolia.

Writer: Alaina Mabaso
Source: Betsy Payne, The Academy of Natural Sciences