on the ground : Innovation + Job News

The Philadelphia Department of Commerce has a dedicated program to cover 50 percent of the installation costs of outdoor security cameras at city businesses, but it recently realized that in some neighborhoods that isn’t enough.

"We have been finding that businesses in low-income areas are not as prone to be able to take advantage of that," explains Karen Lockhart Fegely, the Commerce Department’s deputy director of neighborhood & business services.

So, with help from Neighborhood Transformation Initiative (NTI) dollars, the Department launched a pilot program to fund the entire cost of outdoor security cameras in two targeted neighborhoods.

One of those areas is a stretch of the Germantown business corridor: the 5600 to 5900 blocks of Germantown Avenue. According to Germantown United CDC Corridor Manager Emaleigh Doley, the Philadelphia Police Department helped to identify the right locations. 

"Once this project is complete, there will be at least 25 businesses on this area of the corridor…that will have new security cameras" facing the street, she explains. This is "exciting" for those investing in Germantown’s business corridor. "Not to get all 'Big Brother' on people, but shoppers like knowing that the corridor is safer, so I’m really hoping that helps set a new tone in that area."

The other spot getting new security cameras through NTI funds is the N. 22nd Street commercial corridor of Allegheny West, which the Commerce Department chose because it’s already the site of streetscape upgrades through a capital improvement project.

Allegheny West Foundation's Thera Martin-Milling is the N. 22nd Street corridor manager, and she did the legwork of securing plans and estimates from camera companies. The Commerce Department, again with input from the Police Department, hopes to install the devices at evenly distributed intervals along the stretch.

The corridor managers on both 22nd [Street] and Germantown Avenue contacted the business and property owners at strategic locations to solicit their approval to have the cameras installed and to maintain the cameras.

So what is the effect of putting more eyes on the street?

"At this point, we do not have hard evidence on return on investment in terms of increase of foot traffic and sales revenue," says Fegely, but the basic goal is to support commerce through increased public safety. To receive Commerce Department reimbursements for the cameras, participating business and property owners must register their cameras through the PPD’s SafeCam program.

"It is widely accepted that the first step to revitalizing and sustaining a corridor is to make it clean and safe," adds Fegely.

Writer: Alaina Mabaso
Sources: Emaleigh Doley, Germantown United CDC; Karen Lockhart Fegely, Philadelphia Department of Commerce

Emaleigh Doley, a longtime community activist, has a new hat: she's one of two full-time employees at Germantown United CDC (along with executive director Andy Trackman). Thanks to support from the Philadelphia Department of Commerce, she started in late August as the nonprofit’s corridor manager, and is now nurturing and managing a slew of projects at the upstart community development corporation.

These include the latest round of GUDCD's Fund for Germantown grantees, who receive micro-grants for "community-driven beautification projects" in the neighborhood; those winners were announced October 1. The dollars come via local real estate developers Ken Weinstein and Howard Treatman, and have supported 17 initiatives (with amounts ranging from $100 to $1,000) since the program’s inception.

The latest grantees include photographer Tieshka Smith for her "Peaceful Places" public signage project, Maplewood Mall’s iMPeRFeCT Gallery, which will be installing an interactive sidewalk mural, and Susan Guggenheim’s Freedom Gardens, which connects local gardeners eager to share crops with those looking for homegrown produce. Other grantees include the Germantown elementary school Fitler Academics Plus, the West Central Germantown Neighbors, Men Who Care of Germantown and the East Germantown's Chew-Belfield Neighbors Club.

According to Doley, the Germantown Artists Roundtable, a previous grantee, stands out as a successful example of what the funds can do. The group recently mounted a display of information on current arts and culture events outside the Chelten Avenue train station, and plans to keep it updated as a community resource for happenings around town.

"We’re starting to see how that could be a really attractive feature in other areas of Germantown," she explains. "We’re learning from the project ideas that are coming through, and thinking about how we might like to build initiatives around some of them."

Applications for the next round of Fund for Germantown grants are due December 31, 2015.

Also looming large on GUCDC’s horizon is a new website for the neighborhood featuring a business directory. Doley notes that while Historic Germantown does a good job of providing online information about the area’s historic sites, residents and visitors alike often aren’t aware of other amenities, from parks and public spaces to hardware stores and restaurants. She hopes the new website will remedy that.

GUCDC is working with P’unk Avenue to develop the site. Input is being gathered via interviews and workshops with community leaders, residents and business owners. The site is on track to launch in early 2016.

Other projects for the commercial corridor in Germantown include the installation of new security cameras and a storefront activation initiative in partnership with local artists. Check back with Flying Kite as we keep up with the latest in our former On the Ground home.

Writer: Alaina Mabaso
Source: Emaleigh Doley, Germantown United Community Development Corporation
 

When Flying Kite moved into our new On the Ground digs in Parkside, we didn’t know how close we were to Neighborhood Foods Farm, one of the city’s most productive urban farms.
 
Operating under the umbrella of Philly’s Urban Tree Connection (UTC) and its Neighborhood Foods program, the site at 53rd and Wyalusing is the size of one city block, or about three-quarters of an acre.
 
Rachel deVitry, agricultural director at UTC, has overseen the farm since spring 2014, but it got started around 2010, when local block captains approached UTC founder and executive director Skip Wiener about the space.
 
"It used to be a parking lot with a factory across the street," recalls deVitry. "Ownership of the lot just lapsed and it became a chop shop," and a hub for drugs and prostitution. The block captains invited Wiener to take a look, and plans for the farm got underway, beginning with a major clean-out of the accumulated garbage. Then came the break-up of the cement that covered most of the site, and the application of thick layers of leaf mulch and mushroom soil.
 
These days, the farm yields rotation crops such as lettuces, arugula, kale, collards and chard, along with radishes, carrots, beets, cucumbers, squash and heirloom tomatoes.

Neighborhood Foods also operates three other urban farms in the neighborhood -- one adjacent to the First African Presbyterian Church at 4159 West Girard, another next to Ward AME Church at 43rd and Aspen, and a new four-acre site on Merion Avenue near Girard.
 
Though not the largest, the 53rd Street farm is the most productive site -- so far this season they've harvested 5,850 pounds of produce.
 
Some of that goes to neighbors who volunteer a few hours per week in exchange for fresh vegetables, and some goes to the Saturday Neighborhood Foods Farm farmers' market, which runs on the site from 10 a.m. - 2 p.m. May through November. (The market also features produce like fruit and potatoes purchased from other local growers.)
 
The farm operates with the help of two full-time and two part-time staffers, as well as neighborhood volunteers and young apprentices hired after successful runs in after-school programs.
 
The farm stays open in the winter months thanks to "high tunnels," unheated structures that keep plants such as cold-friendly kale, collards and lettuce from freezing.

"We did grow through most of the winter last year," says deVitry. "And [we] hope to grow through the whole of the winter this year."
 
Writer: Alaina Mabaso
Source: Rachel DeVitry, Urban Tree Connection 


Follow all our work #OnTheGroundPhilly via twitter (@flyingkitemedia) and Instagram (@flyingkite_ontheground).

On the Ground is made possible by the Knight Foundation, an organization that supports transformational ideas, promotes quality journalism, advances media innovation, engages communities and fosters the arts. The foundation believes that democracy thrives when people and communities are informed and engaged. For more, visit knightfoundation.org.
 

G-Town Radio station manager Jim Bear says that though it might not yet be visible to the public, big changes are underway for Germantown’s Internet radio station, which at its highest listenership has over 15,000 people tuning in worldwide.

The major news broke in January, when the station got its permit from the FCC to become a Low Power FM radio station -- new federal legislation gave non-commercial neighborhood groups access to low-power airwaves previously denied them in favor of major broadcasting frequencies.

"To serve the community as best we can, being on the radio allows us to do that much better than we can online,” explains Bear who is still "a big believer" in Internet radio. "I love the medium. I love what you can do with it, but at the same time, there are real limitations to who you can expect to reach. I think that would be true anywhere, but I think it’s even more evident in a community like Germantown."

In many neighborhoods, the digital divide is still very real. Unlike Internet access, which can be costly and require certain skills to tune in, radio is still a ubiquitous and easily accessible medium, free for everyone with a car or a radio in the home. (The station will continue to broadcast online as well.)

With an existing studio and programming, G-town Radio (which will share airtime with Germantown United CDC and Germantown Life Enrichment Center) is ahead of some nascent LPFM stations who must build their presence from the ground up.

Right now, Bear is looking into locations and lease agreements with local property owners who might be able to host a radio antenna on the roof. The studio space itself won’t require much additional equipment: the primary expense of shifting to LPFM will be that new transmission equipment, including the gear that beams the audio from the studio to the tower.

To that end, G-Town Radio has launched a "Drive for the Sky" crowdfunding campaign through Indiegogo, hoping to raise $5,000 by October 3. That will cover the initial costs of equipment and installation, and possibly the first few months of rent for the antenna location.

"We want to make sure we get to the air… [and] demonstrate our worth, and hopefully when we’re doing that, people will recognize the value of community radio, and give us access to a larger pool of donors and supporters and listeners," enthuses Bear.

He hopes the new G-town Radio signal -- available at 92.9 FM -- will hit the airwaves as soon as possible: They’re on an FCC-administered deadline requiring completion of LPFM construction within 18 months of receiving the permit, which means launching by next summer at the latest. The signal is expected to reach what Bear calls "greater Northwest Philadelphia," including Germantown, East Falls, Nicetown, Mt. Airy and West Oak Lane. (Depending on location and the density of area buildings, LPFM signals typically have a three to five mile radius.)

"A lot of it’s behind the scenes so there’s not much to see," says Bear of the LPFM progress so far, "but we’re actively working on it and we’re still moving forward."

Writer: Alaina Mabaso
Source: Jim Bear, G-Town Radio

On August 11, Flying Kite announced the official relaunch of On the Ground, and we’re already enjoying the hospitality of our home for the next three months, Girard Avenue's A Poet Art Gallery.

The gallery, founded in late 2010, was originally located at 4510 Walnut Street before moving to 40th and Girard in Parkside. The three founders, Rachelle Pierre-Louis, Shar Coles and New York-based Tina Albright recently chatted with Flying Kite about their history and mission.

"We just wanted to create a space for artists to basically have a home," explains Pierre-Louis.

Events at the Girard Avenue space include weekly (every Tuesday night) and monthly ("Sounds in the Gallery" every first Saturday) open mic events for poetry and music, plus art exhibitions, African dance classes and, coming soon, painting classes. The gallery is also available to rent for a variety of events, including weddings.

The three women's artistic backgrounds are about as diverse as they come. The Haitian-born Pierre-Louis came to the U.S. when she was 11, first settling with family in Los Angeles for a year, then relocating to Philly where she completed the rest of her education, including a graphic design degree.

"I’ve been drawing since I was six years old," she says; Pierre-Louis now works in acrylics and oils, as well as tattoo art.

Coles, an alum of University City High School, is a Philadelphia native who grew up in South and West Philly. She loves all kinds of art and describes herself as "an inside poet" because she enjoys putting words together, but doesn’t always share them in public.

Albright is an interior designer and art-decal maker, but she also shares carpentry skills with Coles. Her artistic expertise extends into the culinary realm: She creates custom cakes in a variety of shapes including handbags and shoes.

"We pretty much all had a hand in building the gallery," recalls Albright.

The three put even more work into their Girard Avenue space than the Walnut Street one -- they raised the ceiling, laid down new floors, and designed and created the bathrooms. The location even boasts a backyard.

The women admire the better-known gallery corridors of Old City, but saw no reason not to bring the same caliber of art and community-building to West Philly. According to Pierre-Louis, they have a broad client base across the city, but want to connect more closely with their nearest neighbors. When she got wind of On the Ground, it sounded like the perfect "missing piece" of their mission for the gallery.

"We’ve been trying to get in touch and pool a little bit more of the community and we haven’t had that chance," she continues; the Flying Kite connection was the right thing at the right time. "We want people to come out and appreciate art and see something different…and decide to pick up some paint and write some poetry, and we want to inspire people and be in our home base, which is West Philly."

The address is 4032 Girard Avenue, and Flying Kite will be in residence there every Monday and Tuesday, 11 a.m. - 6 p.m. through October.

"We’re always looking for artists," adds Pierre-Louis. "The door is always open."

Writer: Alaina Mabaso
Sources: Rachelle Pierre-Louis, Shar Coles, and Tina Albright, APoetArtGallery 
 

On August 2, Germantown photographer, blogger and activist Tieshka Smith formally launched a project she calls "the most important work that I have done to date.”

The kick-off discussion for that effort, "Racism is a Sickness," took place at Maplewood Mall’s G-Town Radio space. It drew so many interested locals over the course of an hour that the place was packed.

A combination of portraits and interviews conducted by the artist on how racism has affected her subjects, "Racism is a Sickness" is an extension of work Smith did over the last year through a residency at the Painted Bride Art Center. There, her portrait series titled "Private Pain, Silent Struggle," documented people of color with the objects and activities that help to insulate them against the pain of prejudice in everyday life. Smith wanted her subjects to have a say in how they were portrayed because "people of color are not given the agency to find their own imaging."

The current photo project has similar themes, but the portrait style will be more uniform: They’ll all be taken in the lobby at G-Town Radio in front of an upside-down American flag. That flag represents "a country in distress," she explains -- it’s like "shooting up a flare" for racial injustice in modern America.

Each subject (five of whom had already been photographed as of early August) will wear a medical mask with a word written on it representing something they hope to protect themselves against such as "shame," "fear," "stereotyping" and "suspicion." Ultimately, Smith hopes to include 25 subjects in the project. She aims to raise $5,000 to support the work through an Indiegogo campaign.

Beyond finding and photographing her subjects, the artist’s next step will be broad community engagement, an exhibition of the portraits and lots of associated programming developed out of the themes of the interviews. Smith is on the lookout for a final exhibition space and plenty of "co-investors" -- she is hoping to connect with a wide range of community groups who want to combat the social, economic and sometimes life-threatening dangers of racism.

For more information or to find out how you can participate in this project (open to people of all colors), e-mail [email protected] or follow along on Twitter @RMUS2015.

Writer: Alaina Mabaso
Source: Tieshka Smith, “Racism is a Sickness” 

Meei Ling Ng, a Singapore-born, Philly-based artist, designer and urban farmer, has taken on a multifaceted project in Chinatown North. The initiative features a vertical urban farm, a job-skills program for people in recovery from addiction or homelessness, and a new fount of fresh food for the partnering Sunday Breakfast Rescue Mission.

The impetus for Ng's new project grew out of Grow Where You Live, her year-long Social Practice Lab residency at the Asian Arts Initiative. It was supposed to wrap up in June, but the current urban garden project has proven so successful that Ng's Asian Arts residency has been extended at least until the end of this year.

"Ideally I was looking for a vacant lot around the neighborhood," says Ng of a long search for an appropriate urban farm space and partner organization. Such a space -- open to the work of an artist and farmer -- was hard to find, partly because of recent gentrification in the area.

A tour of the Sunday Breakfast Rescue Mission late last year proved extremely propitious: Ng learned that the organization, which provides a range of vital services to the city’s homeless, was in the process of a parking lot space swap with their neighbors to the west, Roman Catholic High School.

The switch would leave a large space along Sunday Breakfast’s kitchen wall -- about 20 feet wide and 100 feet long -- empty of cars by law.

"This is amazing. This is exactly what we want," Ng recalls thinking on seeing the space; she envisioned a specially designed and built vertical urban farm. "We can use a whole big empty wall with asphalt under…this could be an awesome, awesome project."

The artist spent a month on a meticulous rendering of her idea, then pitched it to Sunday Breakfast. The project became reality through support and donations from Asian Arts, the Pennsylvania Horticultural Society, the Philadelphia Orchard Project, City Harvest and South Philly’s Urban Jungle, a landscape design firm.

Since then, the little farm has provided pounds of produce that go directly into meals served at Sunday Breakfast.

The partnership also has a human component: The farm runs with help from workers at Overcomers, an intensive 16-month program for men in recovery from addiction and homelessness. They reap a wealth of skills -- not only the ability to grow their own healthy food in an urban setting, but practical job training in a rapidly growing industry. The formal part of the Overcomers project is finished, but a few participants have stayed on as official apprentices and volunteers.

"This is very exciting that we have a team now to work on the farm," says Ng, adding that she has high hopes the project will continue in future summers.

Writer: Alaina Mabaso
Source: Meei Ling Ng, Asian Arts Initiative

With a major new grant in excess of $100,000 from the Pew Center for Arts & Heritage, Historic Germantown (HG) is tackling the "Elephants on the Avenue" – i.e., long-standing issues of race and class.

"The impetus for the project really was continuing Historic Germantown’s vision to contribute to the cultural and economic development of this community,” explains HG executive director Trapeta Mayson of the newly-funded "Elephants on the Avenue: Race, Class, and Community in Historic Germantown."

That means respectfully interpreting Germantown’s deep and diverse history on a few main themes, including slavery and abolition, inclusion and exclusion, and tolerance.

"I don’t think people can always easily find themselves in some of these stories, so we feel that some of the responsibility of our historic site is to make this information accessible and relevant to today’s public," says Mayson.

The project, which will launch in October and last two years, will pair local artists and historians to "collaboratively curate text and image-based public art and educational workshops about race and class" with the help of member sites and community partners.

The project boasts four historians: Dr. Abigail Perkiss, Dr. Matthew Countryman, Dr. Molefi Assante and Dr. Thomas Sugrue. Participating creative types include visual artists, educators and poets: Barbara J. Bullock, Ife Nii Owoo, Diane Pieri, Sonia Sanchez, Yolanda Wisher and Benjamin Volta.

Pew dollars will let HG compensate the artists and historians, Mayson explains, and cover materials for workshops, festivals and other community events. "Elephants" will also have a dedicated part-time project manager.

And it’s not just about reckoning with the past -- exploring the full potential of Germantown’s historic fabric has economic importance, too.

"Economics is something that people tend to forget when we think about historic sites and how important they are to a community," insists Mayson. "People come to a neighborhood, they spend money, they become interested."

That means Germantown has a lot of growing to do, from upping the number of available restaurants to improving walkability and transit -- that’s why HG already partners with several non-historic community organizations, meeting monthly with Germantown United CDC, Germantown Community Connection and others.

"We’d be missing a great opportunity if we didn’t realize we were just as essential to economic development and community planning," adds Mayson.

"Elephants on the Avenue" will culminate in a final performance/exhibition curated by iMPeRFeCT Gallery co-founder and Germantown resident Renny Molenaar.

Source: Trapeta Mayson, Historic Germantown
Writer: Alaina Mabaso

Winnipeg native and Montreal resident Kandis Friesen loved the two months she spent in Philly this year as part of Lancaster Avenue's Neighborhood Time Exchange (NTE) residency, which offers studio space and a stipend for hours of service the artists contribute to community-based projects.

The intitative, continuing with multiple artist cycles until the fall, is a partnership of the Mural Arts Program, the Ontario-based Broken City Lab and the People's Emergency Center.

An interdisciplinary artist who works with media including sound and video, Friesen, in her mid-30s, has been working as an artist only for the last five years or so.

"Before that, I was doing social justice-based and community-based work," she explains. "I’ve always seen it as part of my life, whether I’m making art or working a different job."

During her NTE stint (which ran from February 1 through April 1), she offered some of those project-manager skills to her peers: negotiating time, projects and space. In a program connecting residency artists to community service requests, that meant "working with really diverse groups of people who might have really different ideas, or similar ideas but…really different personalities," she explains.

Her own contribution to the neighborhood had many facets. She worked with the New Africa Center on a walking tour of Black History in West Philly, focusing on the saga of the self-identified Black Bottom Tribe, a thriving 19th-century African-American community living where University City stands today. The Tribe suffered forcible evictions under city development plans and university expansions in the early 1900s, alongside redlining laws that made it nearly impossible for African Americans to obtain mortgages.

This especially touched on Friesen’s interest in archives and memorials -- and how they’re made and maintained.

She also did a lot of work for the Artistic and Cultural Enrichment (ACE) Program at Martha Washington Elementary School.
ACE instructor Hope McDowell had written a script called More Than Martin, and enlisted Friesen to help her shoot and edit it. In the film, now available online, Martin Luther King, Jr. comes back to say, as Friesen explains, "I’ve been carrying Black History for myself for too long…I would like to introduce you to all these other people in African-American history, and you also might make history."

"It’s a great film, in line with my own practice as well," enthuses the artist. "People being able to tell their own histories."

She also led a variety of arts workshops for Martha Washington students, and collaborated with her fellow NTE artists on other projects, including time with the Earthship Philadelphia project and the New Bethlehem Baptist Church.

"We all helped each other in different ways, and that was also really nice to have a collaborative environment for our community work," she adds. "I think the strength of this residency was that it really was an infrastructure created." The artist residents didn’t operate on any assumptions about what they were bringing to the neighborhood: instead, they listened to hear what needed to be done, to "reinforce or connect what is already happening."

Writer: Alaina Mabaso
Source: Kandis Friesen, Neighborhood Time Exchange
 

As Drexel research director and assistant professor Neville Vakharia points out, university-level faculty members always have their own research agendas, regardless of their fields of study. But in 2013, three faculty from Drexel's Westphal College of Media Arts & Design -- Vakharia included -- discovered a subject they could all agree on, and one they felt warranted immediate attention.
 
That was the arts-and-culture ecosystem of Mantua, Powelton Village and West Powelton -- three neighborhoods adjacent to the Drexel campus. Vakharia and his colleagues were intrigued by the reality that while their neighbor communities are home to large concentrations of artists, they've somehow failed to transform culturally.
 
In an effort to discover what might be holding back the growth of cultural opportunities in Mantua and Powelton, Drexel dispatched a nine-member research team to conduct six months of community focus groups, interviews with neighbors on the street, and brainstorming sessions with various arts-based organizations and cultural stakeholders in the area.  
 
The group has since compiled its findings into a 12-page public report, "A Fragile Ecosystem," which can be accessed here (PDF). And while much of the report explores the breadth of cultural opportunities that already exist in the neighborhoods, it also offers possible solutions that might better tie the local arts community together.
 
In late August, "A Fragile Ecosystem" was distributed throughout West Philadelphia, where it's now in the hands of many of the area's artists, arts organizations, and cultural and civic groups.
 
"There are a lot of strong [arts] players in the neighborhood," explains Vakharia. "What we're hoping is that this report will allow them to understand what the needs are when it comes to arts and culture, and to [help them] move forward on developing some solutions that can benefit the community."    
 
Writer: Dan Eldridge
Source: Neville Vakharia, Drexel University

In a neighborhood as historic as Philadelphia's Germantown, the Germantown United CDC (GUCDC) is an anomaly: The organization isn't yet three years old.
 
When it formed in late 2011, the community was still reeling from allegations of severe mismanagement on the part of Germantown Settlement, a social services agency. During its formative months, Germantown United's main goal involved becoming known as a trusted and transparent community partner.
 
To a large degree, that goal has been accomplished. GUCDC regularly hosts well-attended events and forums, and recently undertook a business district tree-planting campaign.
 
Now, according to Executive Director Andrew Trackman, the organization is hiring its first commercial corridor manager. The position's first-year salary will be covered as part of a reimbursable $75,000 grant from the Commerce Department.
 
The corridor manager's responsibilities will mainly involve working as a liaison to the business and property owners of the Germantown and Chelten Avenue business districts. They might listen to retailers' complaints, for instance, or help them apply for development grants such as the Commerce Department's Storefront Improvement Program (SIP).    
 
"We're looking for this corridor manager to be kind of a defacto business association head," explains Trackman. The new employee will also be heavily involved in business corridor cleanup efforts in coordination with the Germantown Special Services District.
 
"[Local businesses] need help with capacity and technical assistance," he adds. "We're just trying to improve the overall business climate of the district."

Writer: Dan Eldridge
Source: Andrew Trackman, Germantown United CDC
 

In the riverward districts of Fishtown and Kensington, Frankford Avenue First Friday events have been showcasing the area's increasingly extensive creative output for some years. And it's not just the boulevard's art galleries, but also its cafes, eateries and boutiques.
 
According to Joanna Winchester of the New Kensington Community Development Corporation (NKCDC), that creative and economic energy has been steadily inching its way northward along Frankford Avenue over the past few years.

"We've been wanting to put a highlight on some of the newer businesses that are coming in on the northern side of avenue," she says.
 
At the same time, NKCDC has been keen for local artists to become more involved with the avenue's monthly First Friday events. In an effort to satisfy both those goals, a new-and-improved event was born: the Frankford Avenue First Friday Fracas, which Winchester describes as a fairly typical "art stroll-style event, but with a really energetic twist to it."
 
On September 5 from 6 to 10 p.m., Frankford Avenue between Susquehanna and Cumberland will be closed to traffic for the street party. "We're hoping to have performers, and food trucks, and artists selling their wares," adds Winchester.
 
NKCDC is currently soliciting applications from artists who may want to perform or sell their work at the Fracas. And while priority will be given to those from the 19125 and 19134 ZIP codes, anyone is welcome to apply, as long as they meet the August 20 submission deadline.

Applications can be found online at NKCDC.org and FrankfordAveArts.org. 

Source: Joanna Winchester, NKCDC
Writer: Dan Eldridge

Cooper's Ferry Partnership, an organization that has been working for years to revitalize the city of Camden, was recently awarded a $475,000 grant from ArtPlace America, a group that supports creative placemaking efforts across the country.
 
According to Cooper's Ferry COO Joe Myers, it was largely the success of last April's Camden Night Gardens initiative -- a multi-disciplinary art festival held at the defunct Riverfront State Prison in North Camden -- that led to the grant.   
 
"We applied to ArtPlace with the idea of creating [a number of] smaller Camden Night Gardens events," explains Myers. The original event, which attracted roughly 3,000 attendees to the 15-acre former prison site and featured BMX riders and a Camden drill team along with art and music performances, created significant buzz throughout the community. "We wanted to use that as a kind of model to do [similar events] in smaller locations."
 
Those smaller events will take place somewhere within the North Camden and Cooper-Grant neighborhoods, which were most recently considered for redevelopment in 2008, when Cooper's Ferry released its North Camden Neighborhood and Waterfront Park Plan.
 
And while Myers says the future events might be similar in style to the original Camden Night Gardens, Cooper's Ferry plans to first spend the next four months consulting with the North Camden community.They hope to learn what local residents liked about the Night Garden, for instance, and get suggestions about underutilized sites that could be repurposed for events.  
 
Assuming that phase wraps up this fall, "I would hope we would begin the process of laying out new dates for these events," says Myers, "and having a conceptual idea of what they would specifically be."

Writer: Dan Eldridge
Source: Joe Myers, Cooper's Ferry Partnership

The art-centric Destination Frankford initiative has been active since early spring with a mission of reclaiming, rediscovering and reanimating the formerly industrial Northeast Philadelphia neighborhood of Frankford, primarily through a process known as creative placemaking.
 
Thanks to a grant from ArtPlace America -- a national association that supports placemaking projects -- Destination Frankford was able to transform a vacant and dilapidated neighborhood storefront into the Destination Frankford Gallery.      
 
Two of the three exhibitions scheduled to take place in the pop-up gallery have already happened. The first, Reclaim, featured art constructed from items reclaimed by the Dumpster Divers of Philadelphia. The second, Rediscover, was a photography show featuring work exploring the city's often overlooked urban terrain.  
 
According to Ian Litwin of the Philadelphia City Planning Commission, the Frankford CDC "wanted to keep the energy we built around the gallery going," so the opening reception of the gallery's third and final show might prove to be the project's most important event yet.
 
That reception will kick off at noon on June 28 and feature the unveiling ceremony for a pop-up park in the vacant city-owned lot adjacent to the gallery. The temporary space will host film screenings, art shows and live music events.  
 
The show itself, appropriately dubbed Reanimate, will run every Saturday through July 26, and feature work from the Philadelphia Sculptors organization.
 
Unfortunately, Destination Frankford's previously announced plan to install a trio of sculptures by artist Christine Rojek in Womrath Park won't be happening, but Litwin promises "we are exploring ways to keep the gallery or some sort of community in the building going."
 
Writer: Dan Eldridge
Source: Ian Litwin, Philadelphia City Planning Commission

"It's definitely a long saga," says James Yoakum, sharing the story of how the three-week-old Cooper River Distillers, the first legal distillery to be based in Camden, N.J., since Prohibition, came to be. The gist features a mix of plucky entrepreneurial acumen and plain ole career dissatisfaction -- the same recipe that has given birth to so many creative endeavors before it.
 
After finishing the Wharton School's undergrad program and spending a few years in real estate brokerage, "I decided that I didn't want to do that for the rest of my life," says Yoakum. "And I've always been kind of entrepreneurial."

He'd also been brewing beer at home on the side, and about four years ago, he stumbled onto the concept of craft distilling, a growing trend that's now represented in all 50 states.
 
After finding a mentor in Paul Tomaszewski of MB Roland Distillery, he realized it was actually doable. And thanks to the three years Yoakum spent in business-building mode -- during which he acquired four silent partners and enrolled in Cornell's Artisan Distilling Workshop -- Cooper River's first product, the retro-tinged Petty's Island Rum, should be available in South Jersey bars and liquor stores by the end of May.
 
According to Yoakum, it was New Jersey's relatively liberal liquor regulations -- which allow small distillers to legally self-distribute -- that led to him choosing the state for his distillery's home.

"I love the idea of making a product one day," he says, "and then the next day taking it down the street to a bar and giving them a sample, and saying, 'Would you like the carry this?'"
 
For details about the availability of Petty's Island Rum, which Yoakum also plans to sell from his headquarters on Fourth Street in downtown Camden, visit CooperRiverDistillers.com.

Writer: Dan Eldridge
Source: James Yoakum, Cooper River Distillers