Old City / Society Hill : Innovation + Job News

The ACANA Festival started small, but after eight years, it’s exploded into an event that draws thousands to Penn's Landing. Attendees come to explore the modern and traditional music, foods, crafts, and cultures of the African diaspora.

The African Cultural Alliance of North America (ACANA) is our current On the Ground home in Southwest Philadelphia (check out this recent profile of the broad-based African and Afro-Caribbean social services organization). August 7 will mark the ninth year that ACANA has hosted the event as part of the PECO Multicultural Festival Series, which brings eight free festivals to the waterfront between June and September.

ACANA originally made the series roster nine years ago with the help of a recommendation from the Kimmel Center. The nonprofit's founder and executive director Voffee Jabateh served on the community advisory board.

In 2015, the ACANA Festival drew an estimated 10 to 12 thousand people to the Great Plaza at Penn’s Landing in a single day. This year, with headlining singer Pape Diouf -- a Senegalese star -- those numbers will only grow. Other performers at this year’s festival include Sharon Katz and the Peace Train South Africa, Chilton James Reggae Band, Deng, and the Universal African Dance & Drum Ensemble.

Jabateh says the festival is gaining international traction and becoming a destination for African artists who want to connect with the vibrant African diaspora in the United States.

"[Diouf] is top of the charts in Africa," says Jabateh, but "many in the [American] community cannot afford the cost" of traveling to see him. So the ACANA Festival is bringing him here, free of charge to fans.

"Most of the artists in the ACANA Festival for the last five years have come from outside the United States," he adds. They’re "doing very well in their career back in Africa, and the diaspora group wants to see those artists here in America."

ACANA makes it happen.

The fest will also feature a huge range of African food, arts and crafts, and activities for kids.

The ninth annual ACANA Festival is coming to Penn’s Landing on Sunday, August 7 from 2 - 8 p.m. The event is free and open to the public.

Writer: Alaina Mabaso
Source: Voffee Jabateh, ACANA
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Old City just got a major boost with the expansion of the University City Keystone Innovation Zone (KIZ) across the Schuylkill River and all the way to Front Street -- that means some major new tax credits for the neighborhood’s burgeoning tech sector.

Old City-based Arcweb Technologies hosted the March 23 announcement, with featured remarks from University City Science Center President and CEO Stephen S. Tang, Arcweb CEO Chris Cera, and Mayor Jim Kenney.

If you go into a coffee shop near North 3rd Street in Old City -- or as it’s affectionately known, "N3rd Street" -- and "grab somebody that’s sitting there, most likely they’re a technology worker," said Cera. "I don’t think that’s found anywhere else in Philadelphia."

And he went further than that: "My 10-year outlook…is that this is going to be the tech center of Philadelphia, here in Old City."

Expanding that University City KIZ should contribute to that growth, which Tang called "a pivotal moment in our city’s transformation from a manufacturing economy to an innovation economy."

Former Pennsylvania Governor Ed Rendell instituted the KIZ program "to spur entrepreneurial activity," Tang explained. There are 29 KIZs across the state and three within the City of Philadelphia: the large BioLaunch 611+ zone that spreads north of Lancaster and Girard Avenues and I-95; the Navy Yard KIZ, and the newly expanded University City KIZ.

A KIZ is a special district that offers tax incentives to eligible for-profit companies in the life sciences and technology sectors. The program offers a statewide pool of $25 million toward the credits. An approved KIZ company (applications must be submitted by September 15 of each year) can claim a tax credit equal to 50 percent of its increase in gross revenues in the most recent taxable year over the revenue from the preceding year, earned within the KIZ. This tax credit is capped at $100,000, and for companies whose credit exceeds their tax liability, the credit is saleable for up to $0.90 on the dollar.

In the last decade, 48 early-stage tech and life science companies in the University City KIZ have received almost $8 million in tax credits, with 21 companies nabbing close to $2 million just last year. Now this benefit will extend all the way across the heart of Center City and into Old City.

(For a look at one University City company reaping the KIZ benefit, check out our profile of Graphene Frontiers, working towards big changes in medical diagnostics.)

"As a result of these tax credits, startups are retaining jobs, hiring new employees and developing new products," said Tang. "Not only are KIZ tax credits being invested in our local economy, but they’re also strengthening Philadelphia’s innovation ecosystem."

"It’s very exciting to see what’s happening in Old City," added Mayor Kenney. "The expansion of this [KIZ] will help propel that even faster and further than it has in other parts of the city."

Arcweb is just one company standing to benefit from the change.

"I didn’t want to have a tax credit make me move across town, from people and a place that we call home," said Cera. "I’m glad that we chose to stay and invest here."

Writer: Alaina Mabaso
Sources: University City KIZ expansion launch speakers

Artist, maker and entrepreneur co-working hub Indy Hall is launching its first-ever onsite retail venture, and just in time for holiday shopping.

Indy Hall staffer Sean Martorana, who focuses on the arts community and curatorial side of things, says KINSHOP -- which officially opened on November 6 and will probably run until February 2016 -- places no restrictions on the kinds of goods for sale from the Indy Hall community.

“It was really cool to see and celebrate the things that people have made here,” he enthuses.

Dubbed "a collective boutique and small-retail experience in the Indy Hall Gallery," KINSHOP features wares from over a dozen members. The name came out of the group’s recent successful KIN collaborative exhibition, which kicked off this fall’s arts season.

Items on sale range in price from about $100 to $125 for sculptures and $10 to $12 for small arts and crafts items such as prints, wrapping paper, holiday greeting cards, music, pillows, jam, wineglasses, terrariums, tote bags, scarves and more. Thirty percent of each purchase goes directly to arts programming at Indy Hall, funding things like classes and workshops, and gallery and store upkeep. The rest goes to the makers.

The goods will rotate throughout the season -- as soon as one item sells out, something else made at Indy Hall goes on the market. That means the shop will be worth multiple visits for the assiduous locally minded holiday shopper.

“As we sell we’re just going to keep putting stuff in," explains Martorana. "We have so much stuff in our community that we’re not going to go empty."

Indy Hall’s usual weekday hours (9 a.m. - 6 p.m.) are a good time to check out KINSHOP; if you need to make it an evening outing, Martorana recommends Night Owl hours (Tuesdays, 6 - 10 p.m.).

Writer: Alaina Mabaso
Source: Sean Martorana, Indy Hall 

When it comes to funding, Christ Church Preservation Trust has a unique problem. According to Executive Director Barbara Hogue, about a million people visit Ben Franklin's grave every year. Somewhere in the early-to-mid 20th century, it became customary to toss a penny onto the Founding Father’s resting place in honor of Franklin' adage, "a penny saved is a penny earned." The custom isn’t limited to Americans -- last year the Trust counted currency from 30 different countries on the grave.

Currently, the coins the Trust collects amount to about $3,500 per year -- not an insignificant source of revenue when preservation and maintenance on the two-acre historic Christ Church Burial Ground (founded in 1723 at Fifth and Arch Streets) costs $50,000 annually. The trouble is that all those donated coins are damaging the limestone of Franklin’s grave, eroding the very landmark visitors are trying to honor.

In June, the Trust received $38,000 in the form of a Keystone Heritage Grant from the Pennsylvania Historical and Museum Commission for the conservation of Franklin’s grave. They worked with the firm Materials Conservation to develop the grant. Conservators insisted that the problems went beyond water-induced deterioration of the grave's limestone tablet and marble base.

The Trust hopes to solve the issue without losing its income stream or halting a beloved custom. This summer, Flying Kite took a look at the call for the Cultural Alliance’s inaugural TechniCulture Innovation Residency Award program applications, and this month, three winners were announced, including Christ Church Preservation Trust.

"What we really need to do is get people to stop throwing pennies on his grave, because it’s really hurting the limestone," insists Hogue. That’s where the TechniCulture application came in. "How can we encourage people to give a penny, or encourage the social custom, without damaging the grave?"

Enter Davis Shaver, the digital products and solutions lead for Philadelphia Media Network. For three months starting this October, Shaver will partner with the Trust to develop ideas for capturing this revenue stream for the essential historic site -- also boasting the graves of luminaries like Benjamin Rush, five other Signers besides Franklin, and many Revolutionary War heroes -- without cutting out the fun of honoring Ben Franklin with a small on-site donation.

"Maybe it’s an app, maybe it’s a texting opportunity," she says of the possibilities of the residency. It could be “some really simple way for people to donate small amounts of money" that could develop into a fun campaign to engage graveyard visitors, and keep the grounds safe and accessible to the public.

Early next year, all three winners of the TechniCulture Innovation Residency will present the findings of their residencies, and the Cultural Alliance will further reward one of them with funds toward implementation of the ideas.

Writer: Alaina Mabaso
Source: Barbara Hogue, Christ Church Preservation Trust
 

The Head & The Hand Press has been building its brand from its home in Frankford Avenue’s Stationery Engravers building for the last three years, but September brought a big change for the Philly publisher.
 
"What’s amazing about Fishtown is it doesn’t have a university anchor there," says founder Nic Esposito of how the neighborhood matches the company's "scrappy" ethos. "There’s really no big corporation or business district there; it’s just an avenue of artists and young entrepreneurs and older people from the neighborhood who are pretty forward-thinking...People are just remaking that neighborhood building by building. Having that kind of energy and being a part of that was great…That was really the hardest thing about the move: Not so much leaving our space, but leaving the neighborhood."

But despite that neighborhood connection, the many benefits of the press’s September migration to office and events space at Society Hill’s historic Physick House -- through a partnership with the Philadelphia Society for the Preservation of Landmarks -- were impossible to ignore.
 
The move to Physick House really got going when the late 18th-century site hosted a July fundraising dinner for the company. It went so well that Physick staffers suggested the house could be Head & The Hand’s headquarters. Timing was perfect since the press had just decided to seek a new home -- they received word on July 1 that their rent was about to go up. The lack of renovations to their space and the uncertain fate of the building led the group to give notice on the lease without knowing where they’d land.
 
The move is benefiting everyone.

"They know they need to get more people in there, a diverse group of people, not just people who usually go to historic houses, or tourists,” argues Esposito. Head & The Hand events and workshops will bring an influx of young, passionate visitors.
 
And it will be good for the press to be more centrally located, though Esposito still lives in (and loves) Fishtown.
 
"Fishtown will always be part of the Head & the Hand,” he insists, but “we really have an opportunity to reach so many more writers in Philadelphia…we are a Philadelphia publishing company. We’re here to serve all Philadelphians."
 
The company is just beginning their outreach to neighboring organizations and businesses in Society Hill, and hoping that new partnerships and programming will bloom.
 
Writer: Alaina Mabaso
Source: Nic Esposito, The Head & The Hand Press

Feeling a little overwhelmed by the Fringe Festival website or catalog? When you count FringeArts’ "curated" collection of shows, the theatrical free-for-all by neighborhood and this year’s brand-new free online experience Digital Fringe, there are 140 shows in all.

The festival is underway September 3 - 19. Here are some experiences Flying Kite readers shouldn't miss.

Outside Sound Concert and Art Gallery promises to be an interesting and accessible evening. Happening September 16 at the Central Branch of the Free Library, this free "live music and art event" features pieces by artists with disabilities and live original music inspired by artwork.

Looking for more music? Hit up Philadelphia Opera Collective’s Jump the Moon ($20). It’s about a true-life late 19th-century "harem" of women at Harvard who "discovered and catalogued more stars than anyone before or since." The piece is an "experimental opera" mashup of science, music and the cosmos that invites you to "leave your orbit." It’s coming to the Skybox at the Adrienne in Center City September 16-19.

For another interdisciplinary experience, consider Soldier Bear ($5) from Leila and Pantea Productions. Funded by the Jim Henson Foundation, the show is based on the true story of a Polish WWII soldier who adopts an orphaned bear cub. It promises "puppetry, dance, shadow theater and animation combined," and is coming to the Mainstage at Center City’s Plays & Players Theatre September 9-19.

Willing to step outside for another animal-themed show? At The Renegade Company’s Damned Dirty Apes ($20), the audience will take a "theatrical expedition" of FDR Park incorporating three classic films: Planet of the Apes, Tarzan the Ape Man and King Kong. The description warns: "Wear comfortable shoes, prepare to get dirty, and don’t stray from the path." It’s running September 9-19.

If you like the interactive element but want to stay indoors, Linda Dubin Garfield’s FAMILY: Portraits and Stories offers an "interactive mixed media Fringe Installation." The show is free, and art materials for telling your own story are supplied to everyone who comes; donations go to Family Support Services. It’s happening September 13, noon - 2 p.m. at the Book Trader in Old City.

If you’re interested in technology, past and present, check out Brian Shapiro's A Few Thousand Upgrades Later ($15). This show originally premiered in 1995, predicting how "computers would impact human interaction." After twenty years, what did it get right? Shapiro revisits the work to take a look. It’s coming to Fairmount’s London Grill through September 18.

Tangle Movement Arts is a company doing some really interesting work around town: This all-female circus/acrobat troupe devises performances built around the feminine and queer experience. They’re premiering The Girl’s Guide to Neighborly Conduct ($20) which uses a "kinetic cityscape" of ropes and silks to fathom "life’s unspoken rules and expectations." The show is part of the Fishtown/Kensington Fringe at Philadelphia Soundstages, September 10-12.

Finally, for a one-night fest-within-a-fest check out Alternative Theatre Festival 2015 ($5), an annual event hosted by University of Pennsylvania's iNtuitions Experimental Theatre. Each student-written, acted and directed piece "features some sort of experiment or new and different idea." It’s coming to West Philly’s Platt Performing Arts House on September 12.

For the full Fringe line-up, plus dates and times, visit FringeArts online.

Writer: Alaina Mabaso
Source: FringeArts
 

Ever since its launch in 2006 as a project of University of Pennsylvania’s PennPraxis design school, PlanPhilly has been in a fortunate yet challenging funding situation. Now, with a new home at WHYY's NewsWorks, the publication is looking at some exciting new horizons.
 
In itself, PlanPhilly is "not an entity," explains manager Matt Golas, a veteran journalist and former Metro editor of the Philadelphia Inquirer. The publication features in-depth reporting on the Philadelphia City Planning Commission, zoning code battles, and all aspects of the Philly's built environment, from transportation to historic preservation to casinos and the Delaware Waterfront.
 
"We're a project of something else that’s a 501 (c) 3, so the idea of bringing money in was unbelievably complex," says Golas. "We were very reliant on foundations."
 
Though PlanPhilly had the good fortune of funding from the William Penn Foundation, the Wyncote Foundation (which is making the current move possible), and the Knight Foundation, it had long wanted to expand and diversify its financial footing. And with increasing readership -- up to 150,000 pageviews per month -- that shift is warranted.
 
Their new home will help them achieve this goal. Golas will transition into the new title of project editor at NewsWorks, while maintaining a "non-fiduciary relationship" with Penn -- the university is supportive of the move and will continue to help PlanPhilly get the scoop. (The site's reporters and editors will become independent contractors at WHYY.)
 
"They’re fundraising experts," says Golas of WHYY. "It has way more potential for us to generate some revenue and work toward being more sustainable."
 
With longterm financial stability, Golas hopes PlanPhilly will be able to expand their coverage in the Northeast and other outlying areas of the suburbs such as Conshohocken, Cherry Hill and King of Prussia. They want to produce a record of more zoning and development meetings, and also to begin to master the world of podcasts and radio segments.
 
And the benefits aren’t just for PlanPhilly: WHYY’s NewsWorks, a longtime content partner, will get a boost as well.

"We have some unique areas of coverage and unique people doing it," explains Golas. Examples include their in-depth coverage of zoning issues, their attention to the Land Bank, and stories about transportation geared towards the user experience. Since so many people listen to WHYY in their cars or while riding on SEPTA, it’s a perfect fit.

In the future, the PlanPhilly site may merge with the NewsWorks site, but for now, they're staying put. While PlanPhilly reporters will work out of WHYY headquarters when they’re not out on their beats, "you’re going to able to find PlanPhilly the same way you find it now," insists Golas.

Writer: Alaina Mabaso
Source: Matt Golas, PlanPhilly

Alaina Mabaso is also a freelance contributor at WHYY’s NewsWorks. 

Six Masters of Fine Arts (MFA) students at the Pennsylvania Academy of the Fine Arts (PAFA) were frustrated by the lack of opportunities for young and emerging artists to exhibit their work. They decided not to wait around for the local scene to give them their chance.

"Though many amazing spaces and programs exist, it remains difficult to exhibit, especially coming right out of graduate school," explains recent MFA grad Tiffany Tate. "We want to be part of the solution," and make a new space where Philly’s emerging artists can "take chances."

Tate and fellow students Morgan Hobbs, Jillian Schley, Rebecca Sedehi, Shane Allen Smith and Zach Zecha have formed AUTOMAT, a gallery collective with a new 750-square-foot home on the second floor of a former sewing factory at 319 N. 11th Street.

Chatting with Flying Kite about the new collective and its space, Tate explains that 319 -- as it’s called by the artists -- is full of galleries, independent artist collectives and studio space.

Tate, a photographer, now works for PAFA; the other AUTOMAT partners will graduate this year.

"We’re always talking about ways to stay connected and stay inspired," she says. "And as emerging artists outside of school looking for show opportunities, we know how difficult it is to find spaces to show when you don’t have gallery representation."

Funding AUTOMAT is a three-pronged process. There are monthly dues from the six collective members, plus over $6,000 from a successful Indiegogo campaign (ending March 4) that will help cover renovation of the space, including new paint, a projector, fixtures to hang the artwork, furniture and marketing dollars. AUTOMAT also secured a grant of about $3,000 from PAFA’s Venture Fund, which helps students take the next step in their careers.

According to Tate, space at 319 was the collective’s first choice. The founders liked how dedicated the building's tenants are to new media and the contemporary arts scene. This is the attitude the AUTOMAT crew needs: Schley makes sculptures out of poured paint. Hobbs, Sedehi and Zecha are painters, and Smith does a bit of everything, from videos and printmaking to sculpture.

They’re still working on prepping the walls and floors, and installing new lighting, but they’re on track for an official opening show on Friday, April 3. The first exhibition will feature work by the founders.
 
"It’s not primarily about showing our own work," Tate says of the collective’s future curatorial goals. "But our first show is like, 'Hi, we’re AUTOMAT. Come meet us!'"
 
Writer: Alaina Mabaso
Source: Tiffany Tate, AUTOMAT

Writer and world traveler Larissa Milne conjures a troubling statistic, based on the years she and her husband Michael have spent in cities across the globe, writing for the Inquirer and their own award-winning "Changes in Longitude" blog.

Outside of Philadelphia, Larissa estimates, "85 percent of people don’t know what a cheesesteak really is."

So their new book, Philadelphia Liberty Trail, published by Globe Pequot Press last month, includes a sidebar on "cheesesteak etiquette," while recommending some favorite local spots for tourists ready to venture beyond the neon lights of Pat’s and Geno’s.

"It’s a little bit different than the average guidebook that’s out there," explains Larissa. "The publisher wanted us to produce a creative book that was similar to…a book they’ve had out for many years on the Boston Freedom Trail."

Despite having more Revolutionary historic sites than Boston, Philadelphia lacks the equivalent of Boston’s famous Freedom Trail route. The couple set out to write the book that might create one.

While Liberty Trail includes advice on visiting slightly more far-flung sites such as Valley Forge, Fort Mifflin, Bartram’s Garden, and historic houses in Germantown, it focuses on the Revolutionary War history of Old City and Society Hill, and invites tourists beyond the usual stops at Independence National Historic Park. Some of the highlights in their book are the Physick House, Christ Church and Washington Square. There's also advice on where to stay and where to park, how to go on foot or take SEPTA, and info on restaurants that might not otherwise be on the radar for visitors.
 
Michael, a New York native, and Larissa, who grew up in the Philly suburbs, lived at 11th and Pine Streets before making an unusual decision in 2011. They sold their house, quit their jobs, gave away their stuff, and began traveling the world and writing along the way. They still don’t have a permanent address, but talked with Flying Kite about their new book from their current perch in Arizona.
  
Larissa, who’s also a consultant with Ben Franklin Technology Partners, loves to fill visitors in on the real story of Pennsylvania Hospital, America’s oldest hospital, which many pass on bus tours, but few actually visit.
 
"Benjamin Franklin was very instrumental in getting funding for that hospital in the early 1750s," she says, after the local governing bodies declined to support it. Franklin spearheaded an effort to draw contributions for the project from local citizens: "It was like a Kickstarter campaign in 1750."
 
The Milnes hope their book can help make Philadelphia a worldwide tourist destination, not just for tri-state day-trips, but for visitors who will stay, eat and shop in the city for days.
 
"I grew up in New York, and the image of Philadelphia back in the old days was, well, it’s kind of a drive-by tourist destination," recalls Michael. "You didn’t stay overnight, you drive down, you see the Liberty Bell, you see Independence Hall, you get back in the car, you leave."
  
But with major publications like Fast Company magazine and The New York Times recognizing Philadelphia as a top global destination, the Milnes believe it’s a perfect time for a new kind of Philly guidebook. And after seeing the world for the last several years, they still insist there’s nowhere they’d rather settle.
 
Writer: Alaina Mabaso
Sources: Larissa and Michael Milne, Philadelphia Liberty Trail 
 

Like a little water science with that happy hour beverage? The Academy of Natural Sciences of Drexel University is re-launching a "science café" program, previously held at the Cherry Street Tavern, at Old City’s National Mechanics.

The new monthly program is called Tapping Our Watershed. The first presenter (6 p.m. Monday, November 17) is Carol Collier, the Academy's senior advisor for watershed management and policy and director of Drexel's Environmental Studies and Sustainability program. These "happy-hour-style lectures" on the science of local rivers will happen on the third Monday of each month and be similar to the existing Science on Tap events run through the Academy and other local partners on the second Monday of the month.

Collier’s presentation is called "The Future of the Delaware River Basin: Why We Need to Think Holistically." It’ll be a chance to learn about what’s stressing our modern waterways, and what we can do to help.

"What I’m hoping for mostly is for people who are experts to talk about these issues in a supportive environment…and for those who are less experienced to realize there is so much work being done," says Meghan O’Donnell, a staff scientist at the Academy who manages the Tapping Our Watershed seminars. "I think that a lot of this goes under the radar for people." 

O’Donnell coordinates field research for the Delaware River Watershed Initiative, funded by a $35 million commitment from the William Penn Foundation. It’s a "really expansive" project, she explains, monitoring the waters and ecosystems flowing from the headwaters of the Delaware River, up in the Poconos, all the way to Philadelphia. Partnerships with about 40 other organizations help to monitor 35 different sites four times a year.

"We’re pretty much on the go all the time," she adds. "We just finished our algae and fish surveys, and now we’re moving on to fall chemistry."

O’Donnell appreciated the original Cherry Street venue but is looking forward to the facilities at National Mechanics, with its larger space and A.V. accoutrements. She hopes the expert commentary in the informal setting will help "people to feel relaxed and grab a beer after work, and still keep themselves informed on what’s going on in the watershed."

Writer: Alaina Mabaso
Source: Meghan O’Donnell, The Academy of Natural Sciences
 

Flying Kite has twice shared the story of Invisible Sentinel, a local life sciences firm that develops low-cost and user-friendly diagnostic tools for the food and beverage industries.
 
The company's most recent breakout success was the result of a partnership with Sonoma County's Jackson Family Wines -- a novel and fast-acting product known as Veriflow BRETT was developed as a way to detect a yeast strain that commonly affects both the taste and aroma of wine.  
 
According to Invisible Sentinel co-founder Ben Pascal, that technology has since been adopted by large sectors of the wine industry.

"We've been so successful in the food safety [sector]," says Pascal. "And so we started asking ourselves, 'What other groups have the same types of problems with these organisms that can affect quality?' And naturally, we came to beer."
 
More specifically, they came to beloved local brewers Victory Brewing Company. The heads of the two companies met during a dinner party, and when Pascal and his business partner Nick Siciliano began talking to Victory's Bill Covaleski about the success of their Veriflow BRETT technology, "I think it got his wheels turning," recalls Pascal.  
 
Following a few months' worth of meetings with Victory's brewers and quality control team, a decision was reached to partner on the development of a new rapid molecular diagnostic tool, Veriflow brewPAL, that will quickly detect two types of bacteria that can spoil the taste of beer, leading to spillage at brewing companies that can't afford to lose inventory.
 
"There isn't any [similar] technology that exists today that's easy to use, and that's accurate and cost-effective," explains Pascal. "And with a partner like Victory behind us, I think this product is really going to be a paradigm shift, and a big game-changer in the industry."
 
Writer: Dan Eldridge
Source: Ben Pascal, Invisible Sentinel 
 

Morgan Berman was living in West Philadelphia when she experienced what she calls her "first burst of sustainability consciousness," and began attempting to live a life that was aligned with her newfound values.

She joined a neighborhood food co-op, took a job as Grid magazine's director for community engagement, and slowly became more involved in the local sustainability scene.
 
"But there wasn't a central hub where I could go and understand what sustainability means," recalls Berman. "It didn't feel like anyone had quite created the tool that people need to answer their quick questions about [sustainable living]."
 
Berman's new app for Android and iOS, MilkCrate, aims to fill that void -- initially here in Philadelphia, and if the app takes off, nationally.
 
Described by its nine-person team as a digital hub for sustainability, MilkCrate currently exists as a database-style listings service -- not unlike Yelp -- with a collection of more than 1,600 Philly-area businesses that operate sustainably and promote economically responsible practices.

"Everything from fashion to food to furniture [to] energy," explains Berman in a video created for the app's current crowdfunding campaign. "Anything you could possibly want that fits into your local, sustainable lifestyle."   
  
At the moment, MilkCrate-approved businesses are organized in both listings and map layouts. But with the infusion of the $20,000 Berman hopes to raise through an Indiegogo campaign (launched on August 25), users will be able to write reviews, add news businesses, and search by keyword and neighborhood.      
 
Perks for campaign funders include MilkCrate T-shirts and tickets to the app's upcoming launch party. Click here to donate. 

Writer: Dan Eldridge
Source: Morgan Berman, MilkCrate

It's hard to believe, but Philadelphia's First Person Arts Festival -- a twelve-day-long theater gala known as "the only festival in the world dedicated to memoir and documentary art" -- is about to enter its thirteenth year.
 
The festival will run November 4 through 15 at four separate venues throughout the city; a portion of the schedule was released last week. The true-life stories shared onstage will come not just from prominent local performers, but also from a number of bold-name celebrities.
 
Actor Kathryn Erbe of Law and Order: Criminal Intent, for instance, will take part in an onstage reading of Eugene O'Neill's "Long Day’s Journey into Night," culminating in a frank audience discussion of themes germane to the play's content. Yowei Shaw, who produces the year-old FPA podcast, will present a live performance. The Obie Award-winning playwright Dael Orlandersmith will stage a reading of her recent memoir, and celebrity chef Marcus Samuelsson will host a dinner featuring recipes from his latest cookbook.

In short, as FPA executive director Jamie Brunson puts it, "There’s no other festival out there quite like it."
 
When Vicki Solot founded FPA in 2000, "she saw the rising interest in memoir and documentary art as a way to foster appreciation among diverse communities for our shared experiences," explains Brunson. Throughout FPA's history, "the festival has always had [a sense of] consciousness about it," she adds.
 
Visit the FPA website for scheduling updates -- Brunson promises a few surprises as the festival date draws nearer -- and to purchase tickets once they become available.
 
Writer: Dan Eldridge
Source: Jamie J. Brunson, First Person Arts

Philadelphia has been one of the country's top travel and tourism destinations for decades. Now, thanks to the efforts of the Philadelphia Convention & Visitors Bureau (PHLCVB), which has been marketing the city's bona fides for more than a decade, we've got the credentialed travel statistics to back up our bragging rights.
 
Philadelphia was recently named the 13th most visited U.S. city by international visitors by the U.S. Department of Commerce's Office of Travel & Tourism Industries (OTTI), which ranks oversees travel statistics annually. According to Danielle Cohn of the PHLCVB, that ranking represents a 13 percent increase over the previous year (when Philadelphia came in 14th).
 
Those rankings have been tracked locally by the Convention & Visitors Bureau ever since 2002, says Cohn, when Philadelphia was only the country's 21st most visited city among international visitors. It was roughly eight years later, in 2008, when those numbers first began showing a significant increase.
 
"The momentum we continue to see is really based on new and innovative sales and marketing initiatives that our team has in place," explains Cohn.
 
One of those initiatives is a new international marketing campaign, "PHL: Here For The Making," which emphasizes the city's business and educational opportunities. And along with reps located in target markets throughout Western Europe, the CVB has lately been paying especially close attention to the emerging BRIC markets.
 
"I think a lot of times people forget that we're traveling around the world promoting Philadelphia because they don't see it here in their backyard," says Cohn. "But it's a very important part of the city's future."    
 
Writer: Dan Eldridge
Source: Danielle Cohn, Philadelphia Convention & Visitors Bureau 

The nominees for the fourth annual Philadelphia Geek Awards have officially been announced -- there are 38 of them, spread across more than a dozen categories.
 
And at precisely 8 p.m. on the evening of August 16, the show will commence at the Academy of Natural Sciences of Drexel University. Roughly 400 audience members will be introduced to some of the city's most inspirational and unusual passion projects, many of the extremely geeky sort: comic books, mobile video games, YouTube videos, and odd art and science projects, to name a few.
 
Come evening's end, one of three nominees will be crowned Philadelphia's Geek of the Year, an honor that in 2013 went to Dan Ueda, who ran the robotics program at Central High School .
 
All told, the upcoming 2014 Geek Awards are shaping up to be the ultimate celebration of an obsessive subculture that has grown exponentially.

"It isn't really a subculture anymore," says Drexel's Jill Sybesma, the event's organizer. "It's just culture."
 
The Geek Awards began back in 2011 when Geekadelphia co-founders Eric Smith and Tim Quirino approached Sybesma with the idea to create an award that would match their geeky site. 

"The city really didn't have anything that encompassed all its geeky projects," she recalls.

Indeed, many of this year's nominees are not bold-faced names from the science or tech scenes. The creators of an enormous Rube Goldberg machine, for instance, are up for a 2014 award, as is an artist who creates and installs fake street signs.  
 
"We say that it doesn't matter what you're geeky about," Sybesma explains. "Just that there's more people doing this now."
 
Tickets go on sale August 1 at phillygeekawards.com.

Writer: Dan Eldridge
Source: Jill Sybesma, Academy of Natural Sciences of Drexel University